A Tyrannosaurus on my Doorstep, Chapter 18

By Nicholas Driscoll.

Excellent art by Sam Messerly.

Click here to read from the beginning.

“Well, regardless of your sudden desire for employment, I have a job already which I am late for,” I said. “Your highness can get his own job, if he is so inclined.”

Warbell was looking indignant again. I was starting to be able to read his expressions by this point, and the emotions inscribing themselves oh his mug could definitely be termed the old lizard’s “indignant face”—haughty chin, flared and quivering nostrils, shiny clenched teeth. I braced for another tirade, but Warbell surprised me with a whisper.

“This is very important, Walter,” he said. “I need a job. I want to meet people, talk to people. I want to learn about this world.”

“You meet people all the time, what are you talking about?” I sputtered, and I could still taste bacon-coffee on my breath. I bit back an unpleasant belch. “Everyone wants to talk to you.”

“They just want pictures and autographs,” Warbell said. “They don’t really want to talk with me. Usually the conversation never goes beyond them asking me something like, ‘What is it like to eat a triceratops?’”

I thought about that for a moment.

“That’s a good question—what does a triceratops taste like?” I asked.

“They taste pretty similar to austroposeidons, really. A little less fatty.”

“An austro-what?” I said. “Never mind, forget it. I need to call a taxi or something. I’ve got to change my clothes and go work on the wiring at the library. And you have a schedule to keep. Raul “Punchface” Panfester, the famous boxer, is scheduled to meet you this afternoon at city hall, you have autographs and a photo session, and some scientists want to stab you with some needles again or something…”

“I’ll take you to your home,” said the dinosaur. “We need to talk.”

“Oh, no,” I said. “Your claws caught on my pajama top and ripped it. I’m bruised and sore. I lost one of my shoes.”

“Come.”

And Warbell picked me up again and started towards the street, moving easily and smoothly this time instead of running. But even still, my shoulders were killing me, and riding in those t-rex claws are very far from safe and comfortable travel. They also don’t come with seatbelts, let alone airbags. I protested vociferously.

“Put me down, you big idiot!” I shouted. “You’re going to dislocate my shoulder. Holey donuts, my arm!”

The dinosaur slowed down and lowered me to the sidewalk in front of the hospital. As soon as I was on the ground, I had my cell phone out and was calling a taxi.

“As much as I would love to talk about the job market with you, Warb,” I said while the phone was dialing. “I can say that there is going to be an opening for an excellent electrician here pretty quick if I don’t get going. Besides how are you going to get a job when you can’t even physically enter most of the buildings around here? You can’t sell hamburgers if you can’t get behind the cash register.”

I got through and gave directions to the taxi, then I hung up and turned back to Warb. The big lizard was flexing his fingers back and forth, nasty claws looking about ready to sink into my flesh.

“I got your schedule right here,” I said, handing over a piece of paper. “Get over to city hall first. You’ve been there often enough. You don’t need a job. You don’t need money. I’ll come by at lunch to check on you later.”

We waited in silence for a few minutes, but thankfully the taxi came quickly. I quickstepped over to the vehicle, then turned to Warb again and kind of gave a wave to get his attention.

“Warbell,” I said. “Good job today. You might have saved that boy’s life.”

And then the taxi driver was shuttling me away.

Kamen Rider Impressions, Part 8: Kamen Rider Den-O and Kamen Rider Kiva

Kamen Rider Den-O (2007-2008) Episodes 1 and 2 “”Here I Come” and “Ride On Time”

Voted the number one Kamen Rider show of all time in Japan as part of a big event celebrating Kamen Rider’s 50th anniversary in 2021, Kamen Rider Den-O (basically Electric-King, or Train King) is another wild swing with a very different feel and execution than previous Riders. The tone goes for the comedy, mostly eschewing horror (though with some death and menace yet incorporated), and for me I was glad to see Takeru Sato as the lead as I have really enjoyed him in a variety of roles in films—Den-O was his big start.

This Kamen Rider has… an elaborate set-up. Ryotaro Nogami is a total loser and has remarkably awful luck, with an opening scene featuring him somehow stuck on his bike up a tree. Throughout both episodes I watched, he continually falls into terrible situations through outrageous misfortune—including getting stuck with a strange device that allows him to board a train that travels through time, and getting paired with an Imagin—basically a genie (or jinn) that connects to his spirit and wants to use him to gain its own independence. The device that lets him ride the train combined with the Imagin allows him to transform into Kamen Rider Den-O, and he uses his awesome new powers to fight other Imagin who are bopping around through time and causing mischief.

On the positive side, the off-the-wall character of the new show is delightfully wacky. The idea of a time train that travels around constantly laying down its own track is off the wall, yet the resulting plot contrivances that can come from the timeslip plot can actually reach for tearjerking scenes that are surprising given the silliness of the show. Den-O has some awesome powers, too—as well as stylish self-arming sequences as he slaps together his crazy sword. Nogami’s interactions with his Imagin are quite amusing at times, too. The monster designs stray from the familiar animal themes a bit, which is a further welcome change.

On the negative side, Nogami is SO WHINY. I bet he improves over the course of the show, but geesh. The CGI is also pretty unsatisfying, and at the beginning of the first episode I thought I was watching a cartoon. Still, the show came out almost sixteen years ago, and the program succeeds (based on the first couple episodes) far more than it fails. I wish I had started watching these shows more years ago, they are just really fun.

Kamen Rider Kiva (2008-2009) episodes 1 and 2 “Fate: Wake up!” and “Suite: Father/Son Violin”

Another big change from the previous year, Kiva turns back to a definite horror vibe, albeit without the blood and also without near the creepy-factor of some earlier programs. The monsters are called “Fangires” this time, but are essentially vampires who suck the color out of people with huge CGI fangs. The story follows two timelines—one in 1986, one in 2008—and in both timelines, there are Fangires menacing violinists, there are tough battle ladies with blades and grappling hooks, and there are lots of violins. Kiva himself is another apparent loser—this time Wataru Kurenai, a dope who thinks he is allergic to the world and collects things like rotting fish and dog poop to try to make the perfect varnish for his violins (What the flip?!). Kurenai has this little bat-shaped familiar who chatters at him and flaps around and turns into his belt so he can henshin into Kiva, a vampire-themed Rider with chains who blows up Fangires and feeds them to a giant monster that is built into several floors of a skyscraper.

There are some great scenes in the early eps, such as a Fangire masquerading as a corpse at a funeral suddenly popping up and attacking, or a great wacked combat sequence where Kiva races a wheel-footed octopus Fangire and smashes her into several parked cars. The CGI is much more successful this year in these episodes, too—maybe because of the darker environments? I love that we get some combat girls, though I was disappointed they weren’t main Riders—nor even Riders at all—and so they always end up being rescued. The show continues the boy-band theme, where it feels like the entire cast was culled from famed boy-pop empire Johnny’s—and every one of them is a nerd or a jerk. Still, the continued variety and craziness is appreciated, and the prevalence of chains made me wonder if Ghost Rider (2007) may have influenced the look of this iteration. I did get really confused with the switching between 1986 and 2008; the show telegraphs the change with transitions, but I didn’t pick up on the shift at first as the fashion and appearance of Japan in both ages looked really similar to me. Basically I got really confused, which rankled me a little! If I rewatched the show again now, I might enjoy it a little more.

Continue reading.

A Tyrannosaurus on my Doorstep, Chapter 17

By Nicholas Driscoll, again.

Art by Sam Messerly.

Click here to read from the beginning.

The nurse stood there speechless for a moment, but then she downright exploded.

“You think you have a right to know that boy’s medical records just because you’re a big fat dinosaur with a loud voice?” she said. “I am going to deliver a new think to your pea-sized brain, honey, because that is NOT how things work in the USA whether you’re the king of the dinosaurs or the king of rock and roll.”

For once, Warbell seemed taken aback and speechless himself. The dinosaur’s mouth was hanging slightly open, the fierce look in his eyes replaced by a flickering set of feelings from surprise to rage to confusion and back again. I almost laughed, but the nurse kept on with her scold, even going to far as to step towards the old lizard.

“Are you that boy’s mom? I don’t see the family resemblance! Are you his doctor? Where’s your stethoscope? There is a thing called medical privacy, and you can bellow and groan and grumble until your killed off by another asteroid from space, but you aren’t going to get the authority to see those medical records. It’s none of your business.”

Warbell started to puff up his chest and regain some of his former grandeur, and he said in a halfway menacing voice, “I am a tyrannosaurus rex. Do you realize—”

“What, you going to swallow me up?” said the nurse. “Go ahead! Then I don’t have to pull the rest of this 12-hour shift! But you aren’t getting those records.”

The nurse’s facial expression softened by a slight margin, though she still stood strong and defiant in front of Warbell.

“Look, I heard what you did today,” she said. “It was very heroic and brave of you. Everybody appreciates it, or at least they should! But don’t go ruining all the good you did by blowing your own horn and making an absolute tyranno-sore-ass out of yourself. Now I have to go, so unless you’re going to bite me in half—and trust me, I will bite you back all the way down your gullet—then I am going to go back to work.”

The nurse raised one questioning eyebrow, but Warbell didn’t say anything, and so she walked casually into the hospital. I let out a long low breath, and the old lizard looked after her helplessly.

“Doctors and nurses are more powerful than kings in this country?” he asked. “The king makes the laws and what he says goes.”

“But the doctor holds your life in his hands,” I said.

“What good is being a king if I can’t…” Warbell broke off and finally looked at me. “Wal, I need your services.”

“For what?” I said. “I can’t get those medical papers either.”

“No, not for that,” said the dinosaur. “I need to get a job, and I require your help in finding one.”