A Tyrannosaurus on my Doorstep, Chapter 40

By me, with art by Sam Messerly.

Click here to read from the beginning.

At first, shortly after it happened, after the funerals, I didn’t care what caused my leg to fall apart. I blamed myself. If only I had reacted more calmly. If only I hadn’t lost control of the vehicle. I could have used my other leg to drive, after all. If only I had just hit the brakes. Coasted onto the side of the road. Parked my vehicle. My parents would still be alive.

For the first few months I was just too busy blaming myself. Blaming oneself is time consuming. Every time you do it, it’s hard to move. It’s like your body slows down. A heavy weight encumbers your movements. Everything takes longer to finish. And then you blame yourself again, and then again, and it gets more severe. It’s like chains pulling you down, down, heavier with every action.

Which isn’t to mean I never wondered about the “disappearing death virus.” But not even the doctors could figure out what that was. I guess for that reason I thought there was no way someone like me could figure it out. It just seemed like someone cast a spell on me, like the “virus” was really black magic or some kind of curse.

And I felt that way about the appearance of Warbell also. It wasn’t natural for a dinosaur to just appear on my doorstep. Why wouldn’t I be suspicious?

Plus there were the Dinosaur Yacht Slaughter movies. They taught me a lot about dinosaurs. In those films, due to pollution and a sun cycle that only comes once every 100 million years, the birds in a particular part of the ocean start to de-evolve into dinosaurs and as a consequence fall from the air and smash all the local ships and boats except a yacht driven by a rich paraplegic and five super models. All those bird-dinosaurs were really evil, even the brontosaurus that fell on a battleship and then stuffed entire human bodies down its throat like a boa constrictor. One of the best scenes is when the bronto uses its lumpy neck like a club to engage in an intense fight against a military tank with inflatable treads cruising across the ocean waves.

Gosh, I love those films. But they also taught me never to trust a dinosaur.

Those were some of the things I was thinking about several weeks after Warbell moved out. I sat at home and watched Dinosaur Yacht Slaughter 8: the Bermuda Triceratops. I was having a hard time concentrating on the plot—the titular triceratops had just appeared in the cabin of a pirate ship and was shooting spinning fireballs from its horns or something. The actor playing Captain Scrapstache was really good, though—he had three peg legs and made it believable.

And I kept thinking about what Colander had said. I had to at least admit the idea of Warbell causing widespread death and destruction seemed highly implausible. But I just kind of wanted to hate someone other than myself for a while.

At about that time my phone buzzed. I nearly lost it when I saw it was a text from Colander.

“Channel 7! Right now!” it read. “Warbell is going to box Punchface!”

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A Tyrannosaurus on my Doorstep, Chapter 39

By me, with art by Sam Messerly.

Click here to read from the beginning.

The rest of the conversation kind of unraveled from there. What I had been hoping would be a nice conversation, a way to unwind, maybe even something more, turned into a tense and awkward confrontation. By the end, Colander touched the back of my quivering hand and said she hoped I could find peace in this situation but told me not to blame someone else for my pain.

And really that just made me hurt more. Because I had been blaming myself all this time. And as I sat in the Molten Java Café, the events of that day erupted through my mind once again.

April 22, 2015. I was traveling with my parents across the country. We were going to attend my older sister’s wedding in Chicago, but at the time we didn’t have enough money to buy plane tickets. I was the one driving in my new pickup truck I had purchased for my electrician business.

I was proud of that truck. Because I thought it was big, tough. Safe.

I don’t know what happened, really, and the more I thought about it, the less I understood it. We were going down the highway through Iowa, highway 35. Seventy miles an hour. My mom and dad were riding next to me, bickering about whether or not they had turned out the lights in the bathrooms—they were forever forgetting. I was laughing, teasing them that I could install a clapper. It was 4:36 in the afternoon. I remember there were a lot of cars out on the road, and we had hit quite a few grasshoppers bouncing through the crisp spring air. I still remember the little popping sounds as they hit the windshield

Because that sound was one of the last I heard before it happened. The splat of a grasshopper, then something burning in my leg. Pain. So much pain. Just suddenly, consuming me. And blood, streaming, staining my pant leg.

In that moment, in my panic, I lost control of the big, tough truck I was driving. We jerked, skidded, flew off the road, into the ditch, flipped, spun. Everything whirled around me, screams swirling into my ears, then impact, cracking, silence.

And when the doctors tried to figure out what had happened, when they took a look at my leg, parts of the skin and muscle and even bits of the bone were just missing. Not broken off, not in pieces in the car, just gone. Patches had vanished from other parts of my body as well. The medics had a terrible time trying to stop the blood loss, but they managed it.

The doctors said it was a miracle that I survived.

But no one else in the truck had a miracle that day.

And I wasn’t the only person who suddenly, inexplicably lost parts of their body at that moment. Many across the nation experienced something similar. Bits and pieces of peoples’ bodies—sometimes muscle, sometimes bone, sometimes most of an internal organ—just disappeared, causing pain, confusion, death. Colander lost her sight in one eye, but luckily didn’t lose anything else.

That wasn’t the last time it happened, or even the first time really. There were other incidents as well, sometimes involving people from Final Pumpkin, though not always. Of course Murdock was just the latest, but there were many other incidents around the country and around the globe. But the doctors couldn’t figure out how these occurrences came about, and the theories became wilder and crazier every day.

Flesh-eating viruses.

Radiation.

Body-melting invisible death rays.

Miniature momentary black holes.

Of course I wanted to know what had caused the incidents (dubbed the “disappearing death virus” by excitable journalists). But much more than that, I was just shocked, stunned, terrified it would happen again.

My insurance honored their contract and gave me a new truck not long after my life was totaled.

For some reason, I don’t drive it very much.

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A Tyrannosaurus on my Doorstep, Chapter 38

By me, with art by Sam Messerly.

Click here to read from the beginning.

“So what is it you want to talk about?” asked Colander, sipping her hot water.

We were at the Molten Java, a volcano-themed coffee joint wherein the coffee mugs came in the shape of volcanoes and the side dishes were rock candy and pastries with lots of strawberry jam. Colander, as usual according to her, had just ordered a hot water (“It tastes better than coffee!”) and a choco-cherry chunk cruller. Today her eyepatch had an image of her grandfather, since it was apparently the old feller’s birthday.

I had asked her out to chat, something I had been wanting to do for months really. The split with Warbell was enough of an excuse to finally kick me into action. And besides having an excuse to hang out with the most interesting bachelorette in Final Pumpkin, I really needed to talk.

“I’m not the official king tyrannosaurus ambassador anymore,” I said.

“Yeah, I know,” she replied, nibbling at her cruller. “You and your tyrannosaurus ex are like gossip topic number one around here these days. As the librarian, I get to hear every conspiracy theory. Someone assumed you had fallen in love with Warbell, but things didn’t work out. The prevailing guess was because it’s hard to kiss lips that big.”

“Are you serious?”

“Sometimes,” Colander said. “And there really was a patron who came to the library, and really did put forth the theory I just explained. I thought it was plausible.”

“What do you mean?! I’m not in love with…”

Colander was smiling, and I stopped.

“No, I didn’t think it was plausible you were in love with a dinosaur,” she said, eyes twinkling. “I just thought it’s true that it would be hard to kiss if you’re dating a t-rex. So, what happened? Is that what you wanted to talk about? Personally, I would love to be roomies with a dinosaur. I’d learn so much!”

“He admitted it, Colander,” I said. “Warbell had something to do with the disappearing death virus.”

“You mean researching it?” she asked.

 “Not research,” I said, my voice rising. “He said he caused it. The whole disease happened because of him!”

“But he hasn’t even been here for very long. A few weeks, tops. The disease…”

“Colander, he said that it was his fault! This is what I was afraid of all along, this…”

“Walter, how? That doesn’t even make any sense! Warbell saved Murdock’s life!”

She looked at me sternly before continuing, and she emphasized each word in turn:

“Warbell. Didn’t. Kill. Your. Family.”


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Kamen Rider Impressions, Part 22: Kamen Rider the First

Credit: Kamen Rider Web

Kamen Rider the First (2005) could be seen as a sort of proto-version of Shin Kamen Rider (2023), as they both dig back into the original series and try to reinvent and reimagine the story with influence from the manga version that had been published alongside the show. But whereas Shin Kamen Rider filled its narrative with monster upon monster and set-piece on set-piece with fevered, messy freneticism, Kamen Rider the First puts character development, romance, and tragedy at the center—and as a story, at least for me, the older film comes out on top. I mean, it’s messy as Oscar the Grouch on a bender, but I still liked it.

The story features college student, motorcyclist, and water researcher Takeshi Hongo kidnapped by evil-and-bad organization SHOCKER and changed into a cyborg named “Hopper”–and he has to regain control via a connection with his true passions. Later, when a lady journalist named Asuka Midorikawa gets involved in Hongo’s life, she and her fiancé are targeted by a spider man, and in the scuffle, the fiancé is killed, and Midorikawa thinks Hongo killed her love. Hongo, then, determines he will protect Midorikawa, and begins tailing her, transforming into Kamen Rider to beat down fiends and monsters that menace her. When a dude who looks like Midorikawa’s fiancée appears and turns out to be a second Rider with plans to kill Hongo, the action really cranks up. We also follow a pair of lovebirds in a hospital who slowly work out their issues in a sweet romance, and they later change into two of the main monster baddies in the film, and the various emotional threads collide in open combat by the conclusion.

While Kamen Rider the First has some major awkward bits, including pretty bad acting at times, the generally serious reimagining of the first Kamen Rider with updated effects works reasonably well with decent action and an emotionally centered (if very melodramatic) storyline. The film remixes a key misunderstanding from the original program—in that version, the lady friend thinks Hongo killed her own father! This film pulls the emotions in a different direction, coloring the drama deliberately with more direct romantic pathos, and while the second Rider coming back and posing as Midorikawa’s fiancé is ridiculous and soap-opera-to-the-max, it has some narrative bite anyway. The fact that the movie also focuses so intently on building up two of the kaijin, showing their backgrounds, their personalities, their hopes and dreams, and their saccharine romance—only to then smash them in combat with Rider—is gutsy and fresh. I don’t think it fully pays off, though, as the movie spends an astonishing runtime with the pair, and for most of the movie we don’t really know why we are following this sappy and mostly disconnected love story.

Still, for all the movie’s faults, I came out of the viewing with an overall positive vibe for a valiant attempt to create something new from a classic property while respecting those origins. My favorite touch might actually be that the movie allows Hongo to fully transform into a bad-guy at the beginning; we get to see Kamen Rider operating as a villain, with the cybernetic enhancements complete and uninterrupted—and his eventual turn to good then can stem from a particular character trait rather than good luck or a timely rescue. When the Double Riders team up, we also get some great battle scenes and flair. The movie has a follow-up film which I have yet to see, but the longstanding passion for Kamen Rider burns brightly in this uneven tribute film. A flawed, but passionate, attempt.

A Tyrannosaurus on my Doorstep, Chapter 37

By me, with art by Sam Messerly.

Click here to read from the beginning.

I ran for my rifle, stumbling, a mess of rage. I found the weapon in my closet, pulled it out, struggled with the cloth zip cover. I finally managed to rip off the covering, grabbed the stock awkwardly, stumbled towards the door, tripped and banged against the wall. By the time I was out the door, I thought Warbell would be long gone.

He was still there. He had not moved since I dashed into the house. I felt hot tears in my eyes, burning, and I knuckled them away. I had brought my rifle outside in the bright morning light, despite the security team, despite the absurdity of trying to kill a full-sized tyrannosaurus with a single rifle. My anger dissolved my rationality. One of the security men came running my way. My rifle was still pointing at the ground.

“I’m sorry,” Warbell said. “I have to finish this.”

I dropped my rifle before the security guard could yank it from my hands. I pointed a finger at the old lizard before me.

“Get out of my garage,” I said. “Get out of my life. I won’t be your stupid ambassador anymore. Get out of here!”

Then the security guards took away the rifle, grabbed my arms, roughed me over, had me on the ground in my pajamas as they yelled incoherent words I couldn’t understand through my wall of rage. But as one of the security guards shoved my head against the grass, I watched the old lizard, and the old lizard watched me.

Later that day everything was removed from my garage. All of Warbell’s things were taken out and moved somewhere, anywhere far away. I didn’t want to know where. I just wanted him gone. I know Warbell came and helped move things. I saw him come, but I huddled in my room, shutters pulled.

And I got remonstrated by Mayor Pilky, and at least one newspaper columnist criticized me roundly in the local paper later that week, though few details were given concerning the reasons for the drama. I couldn’t tell people that Warbell was the source of the disappearing death virus—there was no proof. What could I say? How could I prove anything? Yet on the other hand, I didn’t go to jail, despite the dinosaur being our “king.” Apparently the old lizard never pressed charges.

It had just lasted a few weeks, really, that I had a tyrannosaurus living in my garage.

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Kamen Rider Impressions, Part 21: Kamen Rider Geats

Credit: TV Asahi

Kamen Rider Geats (2022-2023) episode 1 “Daybreak F: Invitation to the Rider”

I watched the first five episodes of this show in raw Japanese last year, so it’s interesting to return to the program now after having consumed a bit of every other live action Japanese Kamen Rider series created. I was first introduced to Geats in Kamen Rider Revice the Movie: Battle Familia, where he makes a dramatic (and mostly nonsensical) cameo appearance. I was immediately intrigued and I loved his design and style—and I still do. In my opinion, Geats might be the coolest looking Rider of them all with his white fox design, awesome transformations, blistering fight choreography, and the exaggerated swagger of the hero, Ace Ukiyo.

The story centers at first on the brightly idealistic Keiwa Sakurai and his failed attempt to land a job. His supportive sister takes Sakurai out to eat his favorite food, tanuki soba (soba with fried tempura batter bits–“tanuki” is a kind of raccoon-like animal in Japan, and I am not sure what the connection is with fried tempura!). Just as the pair are about to chow down, though, a transparent energy barrier flies up between them, sealing off Sakurai in a battle zone where strange monk-like warriors burst into the restaurant and begin slaughtering innocents. Sakurai manages to escape with the assistance of two Kamen Riders (one themed after a polar bear, the other a bull). As the chaos intensifies, and one of the Riders is killed by a flying whale-castle kaiju, a third Rider arrives on his motorcycle—Kamen Rider Geats has made his entrance! Geats saves a YouTuber from a deadly fall, then shows off a series of acrobatic and astonishing fight moves, killing a whole team of battle monks in moments before turning his attention to the whale kaiju. Soon he is transforming into a powered up version of himself and jetting off on his hyper bike right into the kaiju’s nasty maw. The remaining bull Rider scoffs at Geats, but soon our hero comes riding out through the whale’s innards, blasting away vitals and killing the creature and gaining a boatload of points. You see, the Riders were competing in the Desire Grand Prix, and whoever wins the series of games will have one wish granted by some spectacular power overseeing the proceedings. With the game won, the next set of Riders are then invited for the next round—and that includes Sakurai and a whole mess of other individuals.

Ukiyo is one of the most mysterious protagonist Riders yet. We know almost nothing about him at the beginning, other than his extreme combat skills and self-confidence. Despite his detached air, he also seems concerned about saving individuals and making the world a better place—when the games conclude, the world resets, though some individuals may be dead and missing afterwards, but he still seems to want to rescue people. He could almost be a villain with a few tweaks, but I am glad they made such a non-standard eccentric as the lead.

The central gimmick feels like the classic CGI cartoon Reboot crossed with video-game-centric Kamen Rider Ex-Aid (which shares the main writer with this series) and Kamen Rider Ryuki with its army of competing Riders. The game/resetting world concept may have also been influenced by SSSS Gridman, which has some similar themes. As the series progresses and we encounter a gauntlet of varied game styles and objectives, the flexibility of the world-building becomes apparent—though with so many isekai anime exploring similar gameriffic territory, the show can feel a little unoriginal.

One nitpick: a big aspect of the series that comes to bear in the next few episodes is that for each game, the players are randomly granted certain weapons and power-ups… which is fine. I just find the look of the weapons very off-putting. They appear to be made of even cheaper plastic than the usual toy-centric designs that appear in these shows, practically appearing like faded plastic foam. They make the show feel much cheaper, which I think is disappointing, since while the CGI sequences can look gaudy and ridiculous, often the battles are a light-show ballet of fiery effects and impressive acrobatics.

So far, I like the action and costume design, dislike the weapons, find the characters a bit middling, and the concept enjoyable if a bit derivative. It’s enjoyable, but it doesn’t shake my world with excitement. Still, given that the show is currently in its weekly rounds, I am sorely tempted to catch up and watch it through to the climax!

Continue reading.

A Tyrannosaurus on my Doorstep, Chapter 36

By me, with art by Sam Messerly.
Click here to read from the beginning.

I marched over to the bushes and picked up one of the “dinosaur eggs” that I had been obsessing over and held it out towards Warbell with a scowl on my face.

“You are telling me this is a t-rex turd?” I asked.

“Maybe t-rex,” Warbell said. “It’s about the right size and shape. But other dinosaurs have similarly sized stools. Don’t worry, though; it’s fossilized so you won’t get stinky fingers from handling it.”

“Geez, what a waste of time,” I said, and threw the rock across the yard. It rolled onto the sidewalk, then plonked off the curb onto the street.

“Hey, I thought your people put things like that in museums,” Warbell said. “Maybe you should try and sell it.”

“Well, since you arrived, now all the paleontologists have as much fresh monster feces to study as they could ever want, right?” I said.

“True,” Warbell said. “That’s part of my income. Almost every day scientists come to purchase my poop. You should be thankful it’s not just all over your lawn.”

Trust me, I was grateful. I really was. But I was not in the mood to express my gratitude on that day. Instead, I asked him point blank the question that had been eating me up.

“Did you cause it?” I asked. “All those deaths and injuries. The disappearing death virus. Is that why you are trying to stick your big lizard nose into the personal lives of the people of Final Pumpkin?”

Warbell actually took a step away from me, shaking his head.

“Tell me the truth!” I yelled.

“No,” Warbell said. “I don’t know yet what happened.”

“You don’t know if you caused this?” I tapped my artificial leg as I spoke. “What do you mean, you don’t know? What do you mean that you don’t know if you ruined my life?”

“I am trying my best to find out what happened,” Warbell said. “Trust me.”

“Trust you?” I said “Trust you? Are you serious? You are keeping secrets from me. You won’t tell me why you are really here even though I let you live in my garage. You are talking with someone at night in your dinosaur language, too, right? Don’t think I can’t hear it. Who are you talking to? And now you’re saying that MAYBE you caused the deaths of hundreds, maybe thousands of people around the country? No one even knows how many people have succumbed to the disappearing death disease!”

Warbell looked me right in the eyes before speaking.

“Yes, I think that your mysterious deaths may be my fault, or I should say our fault,” he said. “But that’s—”

Even before Warbell could finish speaking, I just lost my mind.

“I’ll kill you!” I shouted. “I have a rifle! For what you did, you should die, you monster!”

Read the next chapter.

Kamen Rider Impressions Part 20: Kamen Rider Black Sun

Credit: Tokyo International Film Festival

Kamen Rider Black Sun (2022) episode 1 “Episode 1”

After my adverse reaction to Kamen Rider Amazons and seeing the very bad reviews, I was dreading checking out Kamen Rider Black Sun—the second web series that takes an old Kamen Rider show and recreates it as a grotesque and violent adult-oriented drama. This time, the much-loved Kamen Rider Black is coming under the reconstructive scalpel, and given that (just as with Amazon) Black was one of my favorites of the shows I taste-tested, I became even warier of what the new version might become. But surprisingly, despite my fears, Black Sun avoided many of the areas that most frustrated me about Amazons, and the resultant drama (based on the first episode anyway) is creative, scary, emotional, and resonant with me as a foreigner living in Japan. Plus very bloody and nasty.

This time, our main character is Kotaro Minami, a grungy middle-aged man who does odd jobs (flashback to Kamen Rider 000)—but Minami’s work tends to be the disreputable sort, like shaking down hapless people for money. In the world of this Rider series, monster people are an open part of society. Called “Kaijin,” they are of mysterious origin, outwardly human, but with an ability to transform into animal-people of all sorts—and they don’t receive recognition for human rights. When schoolgirl activist Aoi Izumi gives a speech to the UN about why Kaijin should be accepted and treated as equals with human beings, Minami is given a job to hunt her down and kill her—which he accepts. But at the same time, another group dispatches a spider-man to capture Aoi, and a gory battle erupts when they both descend upon the poor girl at the same time, and it turns out Minami is the titular Black Sun—a Kamen Rider with a very bad attitude.

Credit: Asahi

A big part of the lore from Black Sun also features this massive bug called the Creation King, which has something to do with the origins of the Kaijin, and all that stuff is also tied into the origins of Black Sun and a second Kamen Rider. Kaijin can also slurp a substance called “Heaven” to power up and maintain eternal youth.

And along with all the above there are various machinations and an evil government and endless intrigue. Yet even with all the moving parts, I found myself connecting with Black Sun far more than I expected, and I think there were two overall reasons.

One was Aoi Izumi and her caring family. Izumi seems to be modeled after a Greta Thunberg or especially Mulala type, and it’s hard not to get behind her and care about her well-being.

The second reason is that the show could be interpreted as speaking to issues about foreigners in Japan and the discrimination we face. The word “Kaijin” is just one letter away from “Gaijin,” which is a rude or informal way to say “foreigner” in Japanese. The show also features extensive scenes with protests and speeches against Kaijin… and I have seen such demonstrations in Japan against foreigners. I have seen trucks outside of train stations in Japan with far-right activists loudly proclaiming that foreigners should leave, that foreigners have no place in Japan, and of course I have experienced mild racism at various points while living here as well. Making the Kaijin animal themed is a familiar Kamen Rider trope—but it also ties uncomfortably into the Tama-Chan incident from 2003, in which a sea lion was given an honorary entry into the city juminhyo (or resident registry)… something foreigners were not allowed at the time. Foreigners protested, marching the streets with sea lion whiskers sketched on their faces. The Kaijin in Black Sun transform into animals of all sorts, and the connection feels deliberate.

I also really like that Black Sun has organic monsters and Riders. They don’t look like robots or men in armor or origami (like in Revice), but actual animals with fur and scales and carapaces. The transformation sequences are less a light show than a squish of tentacles and shifting body parts. It reminded me most of Shin Kamen Rider: Prologue (1992) and The Guyver, which was a manga meant to take themes from Kamen Rider and make them even darker and more extreme.

I am intrigued by this show. It has a lot going on, and while it has apparently been criticized for its use of Black Lives Matter police battery imagery, the fact that it’s trying to say something important I think is laudable. I’d be curious to see more.

Continue reading.

A Tyrannosaurus on my Doorstep, Chapter 35

By me with art by Sam Messerly.

Click here to read from the beginning.

Of course, there are complications when a fellow like me wants to determine whether a dinosaur is speaking dinosaur talk to someone late at night. As mentioned before, at first I had just thought he was snoring. It’s true that Warbell’s “snores” were unusually complicated with an astonishing multiplicity of grunts, growls, woots, and warbles. But then again, I have met some folks with some pretty strange snores (the perils of dorm life back in college), so I didn’t want to jump to conclusions too quickly. And I didn’t actually hear anyone respond to Warbell’s nocturnal monologues. Which could just mean Warbell had some kind of walkie-talkie, maybe built into one of his teeth.

Or he was just talking in his sleep.

Warbell and I were not talking to each other a great deal anyway at that point. In fact an eavesdropper might assume I was attempting to learn dino-speak given how often I would grunt or snort or otherwise make unpleasant noises when Warbell tried to engage me in conversation. The conversations might go something like this:

“How was your breakfast today?” asked Warbell

“Rowf,” I replied.

“Did you have a bowl of cereal?”

“Snort!”

And so on, with Warbell sometimes pretending to understand what I said until I was just quiet, lips zipped.

But for all my grumping and grouching, my sub-neanderthal conversations did not crush Warbell’s zeal for tracking down the truth of… whatever it was he was searching for. And in fact the dinosaur seemed to have been gathering a lot of great data for his project even before officially becoming a t-rex masseur.

I realized I’m really not a very clever person. I couldn’t seem to figure out what was really going on.

Of course, it also didn’t help that one day I just dumped the rocks I found underneath the house into the bushes at the front of the house. Sure enough, the next day I found Warb standing near the shrubbery.

“This is really interesting, Wal,” Warbell said. “Never thought I’d actually see one of these.”

“Ugh,” I said. “Grunt.”

Warb plucked out one of the rocks—the one that was still intact. He laughed as he turned it over.

“What’s so funny?” I asked testily.

“Oh, well,” said Warbell, the huge grin returning to his face. “You probably don’t want to hear this, but apparently at some point dinosaurs were using the space where your house is as a restroom.”

“Come again?”

“You have several pieces of fossilized dinosaur poop in your bushes,” said Warbell.

A Tyrannosaurus on my Doorstep, Chapter 34

By me, with art by Sam Messerly.

Click here to read from the beginning.

Warbell was working with a masseur named Lilt Parley, a man who looked like a muscle mannequin lightly sprayed with skin-colored paint. Each day I would escort Warbell to his lesson, and there would be Parley in a Speedo stretching on the lawn outside his massage parlor (called “Everything You Knead Massage Parlor and Tanning”) folding himself in half or maybe cleaning his ears with his big toe or something. Often there was a crowd waiting, hoping to get a chance to have a tyrannosaurus knead the knots in their back into nothingness—or possibly just break their ribs. I used to watch the shenanigans sometimes, incredulous, because I found it so difficult to imagine a full-size alpha predator with those little chicken-arms actually massaging anything. My shoulders definitely had not felt better after Warbell carried me across the city to save the life of the bacon boy. Parley always talked with Warbell at the beginning of each day, worked him through a set of stretches (including tail stretches somehow), and even massaged Warbell’s arms and forearms carefully, slowly, deliberately—boringly. I had better things to do then gawp at a nearly naked fatless man tickle a t-rex. Plus I was still pretty mad at Warbell for looking into my past, into the history of my leg injury, without even asking me permission. What I mean to say is, I could only watch for so long before I wanted to kick something hard. Preferably with my prosthetic leg so that I didn’t break my toe.

Meanwhile, every day I was also checking the recordings of Warbell at night, recorded via the secret equipment installed in his room. I hadn’t found much yet. There were times when he would grunt and growl or something, but I was never quite sure if he was just snoring. Sometimes I would pick up sounds of him rolling over, smacking his lips, or farting—when he passed gas, it made a sound like the whomp of a tuba. But I never heard him say even a word in English.

I found myself talking over the issue with Colander on my break one day as she was fixing some book covers at the library. That day she had a mandala on her eyepatch, and it was really distracting.

“Of course, I am listening to the recordings on fast forward,” I said. “But listening to eight hours of snoring on fast forward is just like listening to chipmunk chirpy snoring for four hours instead. It’s still boring enough that I want to disconnect my ears for a while and turn them in for industrial strength medicine.”

“Well, that tears it,” Colander said.

I waited. When Colander didn’t offer an explanation, I couldn’t help but ask for clarification.

“What do you mean?” I said. “Something wrong?”

“Oh, when I hold the book like this, it tears,” Colander said. “This novel really needs some industrial strength repairs. That, and plus I was wondering something.”

“What’s that?” I asked.

“Why are you listening for English?” she said. “Doesn’t Warbell speak fluent dinosaur?”

My eyes widened.

That night I returned to my recordings and listened carefully to some of the sections I had thought were particularly noisy snoring. At least one of these from a few days ago had a great variety of blats and grunts and wheezes. And there did seem to be a pattern to it. Colander listened too when I texted her the audio file, and she agreed with me.

That didn’t sound like just an innocent snore. But who could Warbell be talking to late at night?