A Tyrannosaurus on my Doorstep, Chapter 27

By me, with art by the great Sam Messerly.

Click here to read from the beginning.

I talked with Warbell for some time about the job possibilities in Final Pumpkin. Most of his listed jobs—policeman, librarian, psychiatrist, doctor—I told him would be impossible for many reasons, from practical concerns to a lack of training and education to federal laws. I did not have a lot of time to chat. I was already behind on wiring the library, and so I left Warbell after a relatively short yak session.

We didn’t really say goodbye, though we acknowledged I would check up on him around lunchtime.

As I pedaled, I thought through everything one more time. It was still difficult to trust Warbell because there was so much I didn’t know, and he also seemed to be deliberately hiding something. Maybe a lot of somethings. How can I know what a dinosaur’s hidden motivations might be? How can I know that I can trust a dinosaur at all, especially a flesh-eating one? How do I know I can believe anything he says?

Yet I also couldn’t help but see that he was honestly trying. That he did save that kid. That he really was worried about something going on in the city. And I couldn’t help but wonder if maybe what Warbell was worried about might be the rash of bizarre health incidents that had been occurring for some time across the nation. Many people had been afflicted, seemingly at random. No coherent cause had ever been identified, and it was difficult to know which incidents were connected to the phenomena in the first place. But Murdock Gargle was almost certainly just the latest victim.

Yet why would Warbell be concerned about that? Surely a dinosaur wouldn’t come to live with humans in order to research human health concerns?

That day and the rest of that week we ironed out our routine. Every morning, lunch, and evening get together I would check up on Warbell and go over his schedule and help him with any problems and try to answer any questions he had. We would discuss his job-hunting efforts, and I would try to give him some tips. Later, often in the middle of the night, I chased away rubberneckers and paparazzi from the lawn. I also tried to get my truck back from Charlie a few times, but he was conveniently not home whenever I went over to his place.

Conversations with Warbell were formal. Dry. I tried not to show whatever I was feeling because I wasn’t sure what I was feeling. Warbell, so far as I could tell, did the same.

And sometimes in spare moments I would get out those rocks or eggs or whatever they might be, and I would look at them, poke at them. I was tempted to even take a lick and see what a dinosaur egg might taste like. But mostly I waited. I didn’t want to jump to conclusions or do anything rash with the “eggs” until I had met with Colander on Saturday. Maybe meeting with her, talking with her, just blowing off steam with her would help me to figure out what I was supposed to do. And of course if these really were eggs, then the problems with Warbell were really only just beginning.

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Kamen Rider Impressions Part 14, Kamen Rider Amazons Season 1 and 2

Credit: IMDb

Kamen Rider Amazons (2016) Season 1, Episode 1 “Amazonz”

A strange re-imagining of Kamen Rider Amazon, which was one of my favorites of the Showa period, Kamen Rider Amazons was a web-exclusive series made with a much more mature tone—this show was not made for the kiddies. It also doesn’t feel as if it was really taking many ideas from the original Amazon, which I adored for being so wacky and for featuring a Japanese Tarzan biting the legs off of a monster bug. Given that this show follows the long tradition of no subtitles (not even in Japanese) that plagues so much of Japan online programming, I felt a little lost while watching, but I will give my rough thoughts below.

The show features an anti-monster squad in military getup and guns and electric shock add-ons (to their clothes?). The group hunts down people who are turning into monsters, and following the Rider formula, the first two monsters that show up are a spider man and a bat man—actually several spider men. The monster encounters are played out like a straight-up horror action film, with torn-up corpses, gross-out transformations, and gruesome kills and sound effects. One of the members of the anti-monster crew can tear off his clothes and change into this armored knight-like thing, who pops off several legs from the first spider man encountered (perhaps a shout-out to the original). Separate from the action, a young man named Haruka is suffering from an unspecified disease, and his mom treats him dispassionately but doesn’t do a good job of looking after the guy since soon he fails to take his meds and stumbles off into the woods. At the same time, the anti-monster group is there, too, fighting another spider, and the bat guy, and then this other dude shows up snarfing raw eggs. Raw-Egg Man has a Rider belt and transforms and starts saving the day, maybe, and then Haruka transforms into some other Rider-esque thingee, and the end.

Apparently Haruka is the main hero, so I kind of feel gypped after watching the first 40-minute-plus narrative and barely getting a glimpse at his hero form. Raw-Egg Man cuts a fashionable posture with his red Rider armor and big, bulging eyes. The idea of this show seems to be that the monsters and the Riders both are transformed via genetic manipulation like in Shin Kamen Rider: Prologue, a straight-to-video biopunk reimagining of Kamen Rider made in 1992—but the monsters all look like they are still wearing human-constructed armor, helmets, boots, gloves and the like. In the 1992 film, the movie leans into its biological design ethos, with the Rider looking like a proper animal-man. Having the biopunk theme, and still clinging to chunky armor and flashy lights for transformations feels poorly realized. Everything also has a suffocatingly heavy tone, which caused me some severe whiplash after watching so many deliberately wacky Rider shows. Still, the actual filming of the series is mounted with care and precision, and the gore and violence may attract some fans.

Despite this series being an Amazon exclusive, the show was still stuck behind a paywall, regardless of the fact that I have Amazon Prime in Japan (I can watch the re-edited version, where they take the whole series and shorten it into a movie—but who wants to do that?). This ridiculous paywall may have caused my discomfiture more than the actual show, as it just frustrated me.

Credit: Amazon

Kamen Rider Amazons Season 2, episode 1 “Neo”

Because the second season has a new Rider star, and that Rider is directly based on the Japanese Tarzan character from the original Kamen Rider Amazon (which still might be my favorite of all the Rider shows I have seen thus far), I decided to take a watch even though I didn’t really like the first episode of Amazons. This time around, Chihiro (why do the two male heroes both have typically feminine names?), some kid raised in the Amazon, is brought back to civilization, and he keeps biting people and there’s lots of blood. Later he is living on the streets and working with a biker gang to track down and kill Amazons—the monsters in this series. The biker punks attack and provoke a policeman into transforming into a monster, and then Chihiro comes out and rips the creature apart and guts it. Like in the first season, there is a military-esque monster-hunting squad, and we see them blowing up a car early on. We soon learn that Chihiro lives in tension with the bikers, who like to cast aspersions on him. Pretty soon we see a wedding unfolding on screen, but the bride transforms into a monster and starts killing and eating everyone. Chihiro arrives to fight the monster, but in the middle of combat the monster-hunting squad arrives with an emotionless young female that transforms into a feral bird-themed Rider, and they both fight together in increasingly bloody fashion.

The second season has a similar vibe to the first, with washed out lighting, darkness and shadows everywhere, angst, and a severe seriousness. Everybody seems hyper-cool, uber-anxious and combative, or completely emotionless. Iyu Hoshino, the no-feeling female Rider, struck me as a possible proto Ruriko from Shin Kamen Rider, who has a similar extreme cool. As with the first season, the monsters and Riders are supposed to be organic, but they still look like armored fighters, and the whole atmosphere is dripping with seedy, nasty grime and gross. I like horror, but this show feels detached and filthy, with a set of unlikable characters crawling through a mucky, concrete hell-hole. Give me back my fun-loving Riders!

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A Tyrannosaurus on my Doorstep, Chapter 26

By me, with fine art by Sam Messerly.

Click here to read from the beginning.

As I didn’t pipe up anything right away, Warbell nodded and said, “You may get dressed and ready for your day. We have some time. I would appreciate the opportunity to talk over my list when you have finished your breakfast.”

With that, Warbell turned back to the tree and tore off several more leaves with his lips, then gummed them awkwardly for a few minutes before trying to swallow them. This was followed by violent coughing as the dumb lizard choked on the leaves, but he straightened up again after regaining his composure and then ripped several more leaves off the tree.

I went back inside and shut the door, and I was thinking hard as I went through my morning ablutions. I found I had little appetite for breakfast, so as I chewed on a lone piece of toast, I made a few phone calls and printed out a few documents from my computer. I then folded up the collected pages, straightened out my shirt, checked my hair one last time, and stepped outside again.

Warbell was still standing next to the tree. A morning jogger was busy taking a selfie with him, for which Warbell gave a close-mouthed smile. I walked over to Warbell, shooing away the jogger with my eyes. The man made a rude gesture towards me and took off.

“Warbell,” I said. “I really don’t know what kind of a job a tyrannosaurus rex can do in this town. But there are a few things you should know about job hunting in the United States. Number one, and this is just a basic one: It helps to have a nice smile. I don’t know if you can, but if you are able, it’s a good idea to put your teeth back in. The, err, plant-eating teeth.”

I was looking down as I spoke, though I sensed a change in Warbell’s posture as he stood beside me.

“Also,” I continued. “Usually for most jobs you need to have some kind of resume. I printed out mine so you could take a look at it. I have it here. A resume lists any previous jobs you have had, or other experiences or education or certificates that would make you qualified for the kinds of jobs you are interested in. If you, I don’t know, have some job experiences in the dinosaur world from which you came, it would be a good idea to write them in a resume format for your job search. It’s a little difficult to explain all the things that go into a resume, and I don’t have time to give you guidance in that this morning, but I called in to city hall and asked them to send someone over to help you put something together.”

I took a breath.

“Really, it also helps to wear a nice shirt and a tie, too, but I don’t think we have any in your size,” I said, and looked up.

Warbell was looking down at me, and his teeth were back, shining in the early morning sun.

“It’s easier to talk with teeth,” he said.

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A Tyrannosaurus on my Doorstep, Chapter 25

By me, with art by the great Sam Messerly.

Click here to read from the beginning.

I received a tongue lashing that evening from Mayor Pilky over the phone, but a few excuses about my electric work at the library placated her a little—but only after I listened to Pilky preach about the importance of “our dinosaur king” to the future of our fine city and his standing as the reigning king and a litany of other reasons why I need to take my role more seriously. And I listened and I nodded and I said “yes, yes” and eventually I hung up and went to bed in a fog of frustration.

I didn’t sleep well that night. The eggs from beneath the house rolled through my dreams. The idea of dinosaurs secretly visiting the human world “all the time” introduced a million monster movie scenarios in my head, as did the idea of the “Kingdom of Eternity” (or whatever it’s called). Where was this kingdom? In the center of the earth? Somewhere in South America? On a mysterious island with a giant ape? In an inexplicably tropical land hidden near the South Pole? On the moon? In North Korea? Where?

And of course Warbell with those teeth, those grinning killer teeth. It made me weak at the knees just thinking about them.

I couldn’t sleep in my bedroom. I slept in a guest room in the basement that I hoped Warbell didn’t know about. Or at least I tried to sleep. Mostly I tossed and turned all night long.

The next morning I awoke to my alarm—not to the sound of a dinosaur at my window. It was six am. I bumbled blearily out of bed, but images of Warbell assaulting the neighborhood drove me to dress quickly and dash upstairs and out my front door.

“Good morning, Walter,” said Warbell.

The tyrannosaurus was standing placidly next to the large oak in my front yard, and was lipping the leaves.

It took me a while to realize just what was going on, and when I did realize, I did a double-take. Warbell was lipping the leaves because he had no teeth at all!

“Now I’ve made a list,” said Warbell with a strange lisp, “A list of all the companies in town. I have been working through said list, trying to find the sorts of jobs which I think I will be able to use to get to know my subjects most effectively. I am curious to talk over the options with you before you must go and take care of your electrician’s work.”

I was quiet long enough that Warbell turned from his lipping of the leaves to look at me.

“Well? If you are worried about my breakfast, I have already eaten. Today, leaves. Mostly maple. Cheap.”

“What happened to your teeth?” I asked.

“I removed them,” Warbell said. “You are my subject, and my teeth obviously make you very uncomfortable. Not just you, either. There were others at the park yesterday who were very frightened to see my teeth.”

“But so what?” I asked.

Warbell drew himself up to his full height.

“So it is the duty of a true king to take into account the needs of his subjects,” he said. “And if those subjects are scared of my teeth, a king should be glad to make the sacrifice of a few ivories.”

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Kamen Rider Impressions Part 13: Kamen Rider Ex-Aid

Kamen Rider Ex-Aid (2016-2017) episodes 1 and 2 “I’m a Kamen Rider!” and “’No Thank You’ for Two Geniuses?”

Credit: Kamen Rider Wiki

When I came back to Japan in 2015, I didn’t pay much attention to Kamen Rider—and when I started noticing the show, it was because of how outlandish Kamen Rider Ex-Aid looked. I would see posters for the movies or maybe clips from the show or an occasional trailer, and I thought it looked awful. The new Rider doesn’t so much have a helmet as he has a cartoony face and plastic spiky hair. His colors are bombastic to the extreme, with spandex and an idiotic game controller chest plate—and I didn’t even realize that the character had an even more absurd first stage version. Apparently the show has its haters, as the Toei World YouTube channel’s upload of the first episode has comments turned off. Even so, the show is popular among fans—from a poll of 10,000 voters conducted for the 50th anniversary of the original, Ex-Aid came in as the sixth most popular show, and comments from international fans under the second episode were almost uniformly positive.

The idea this time is another that I thought the show should’ve experimented with years ago—heck, I thought Kamen Rider Black RX WAS about this idea: make the Rider a doctor. Emu Hojo is an intern doctor at a pediatrics hospital who also happens to be a master gamer (we get another scene where another cute girl is dragging our protagonist around and chastising him for being immature, which has definitely become an unfortunate trademark of the franchise at this point). It soon comes out that a new virus, which started as a computer virus, has migrated to humans. Called the Bugster virus, it is often exacerbated by stress, and the sufferers may change into looming enormous monsters if the disease develops too far. A secret underground organization of super doctors have been given technology to transform into soldier-like doctors who can transform and manifest video game elements in the real world, which they can then use to fight the Bugsters. Each Doctor Rider has their own video game world and power ups which they call into existence to merge with reality after they transform to their Rider suits. As with most other Riders in the franchise, each Rider also has stages or levels of transformation—this time mimicking game mechanics, so that when they initially transform, they are squat chibi-style characters who need to power up ala Mario to take on an adult stature and increased powers. Hojo’s pestering nurse sidekick, Poppy Pipopapo, is actually some kind of computer program, too, and she can slip in and out of computer monitors. Everything is styled with mega-bright colors and jittery editing and insanity to the max.

I love having the Riders double as doctors, which seems like a natural extension of the Rider mythos by this point—though having the docs battling their transformed patients into submission feels like a HIPPA violation. I think it would’ve worked better had the doctors jumped inside the human virus hosts and fought the monsters on an inner plane rather than seemingly pounding the patients into the ground. Calling in game worlds to manifest around the virus and provide additional power ups and battle opportunities gives the fights a new sheen (it reminded me of the original CG animated TV show, ReBoot), and the gaming gimmick makes the previously obtrusive CGI effects feel perfectly natural. In the first two episodes, the fully-developed Bugsters are achieved as full CGI monstrosities, far bigger than humans—and without the usual suitmation. But it works pretty well, and the bright plasticky Rider suits lend themselves to computer modeling for slick acrobatic combat, too. While Hojo is again a bit of a loser, I like that nevertheless he can fight well from the start because of his gaming background. As I was watching, too, I couldn’t help but feel the show hits different after Covid with the whole widespread new-type virus theme—and apparently (according to comments I noticed) the parallels to the pandemic become more pronounced as the series continues. I don’t really like the super plasticky gadgets (which look just like the toys they are meant to sell), and once again we have hot women attaching the belt buckle on one of the Riders for a frisson of sexual energy, and I am not wild about the bleepy-blonk sound effects and jerky editing (what is with the head doctor???), but this is way better than it has any right to be.

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A Tyrannosaurus on my Doorstep, Chapter 24

By me, with beautiful art by Sam Messerly.

Click here to read from the beginning.

By that point in the evening I was pretty tired, but that didn’t stop a huge barrage of questions to dance and surge through my mind like a murder of crows released in a cramped elevator. The thoughts that emerged were uncomfortable, they were scary, they were loud, and they felt like they were out of a horror movie.

“I shouldn’t talk about the kingdom from which I came,” Warbell said. “I left that place. I am actually a kind of defector, in a way. I am not supposed to be here. I chose to come for my own reasons, and not out of loyalty to… well, the name of our land also is not in English, but it translates to something like the Kingdom of all Eternity and Perfection of our People and the Future. Dinosaurs are fond of long names for things sometimes.”

“How do I know that the dinosaurs aren’t going to try to conquer all of humankind and reign again or something?” I asked. “What do you mean they have always visited? You mean like Nessie?”

Warbell worked his mouth into a grumbly frown, then nimbly extracted the garage remote from his pants and punched the “open” button by slapping it with his other hand. He then returned the remote to his pants and looked back up at me.

“Dinosaurs are not interested in living here, Walter,” he said. “Most don’t want to visit. Not really. They are scared to come because it’s dangerous, even with our technology. When we visit, most try to leave as soon as they can. Nessie… is a famous rebel. But I am not going to stand outside in the open and discuss the inner workings and the secrets of where I have come from with a cowering flea on a rooftop. I suggest you gather your courage and answer the phone ringing in your house. Maybe it is your employer. She was pretty disappointed in you because you did not meet with me tonight for our scheduled evening rendezvous. When you do reach a point in which you feel like fulfilling your duties as my official ambassador, please take note that I have cancelled all appointments for tomorrow in order to more actively investigate job opportunities in Final Pumpkin. Good night.”

Warbell then turned away and ducked into the garage. I felt the roof shake as his spine bumped up against the doorframe and there was a terrible grinding noise as the dinosaur’s thick hide raked against the wood. Moments later I heard the garage door rumbling closed. I waited around nervously until the door was all the way down, wondering who uses landlines to call anymore and grumbling about luddite mayors, but also feeling a little nervous about my position as dino-ambassador. I didn’t want to lose my job. I still wanted to keep an eye on Warbell to make sure he didn’t swallow everyone in town.

Well, maybe Charlie would be okay. Warbell could eat Charlie. I still didn’t have my truck back, after all.

I slid a ladder down off the roof, then clambered down, painfully aware of each clanking footstep, then took down the ladder and started for the garage to put it away. I stopped when I remembered I had a dinosaur living in my garage that I didn’t really want to talk with right at that moment. I just dropped the ladder on the lawn and opened my front door, my mind a cloud of frustration that suddenly cleared when I noticed something.

When I looked closer at my front door, I noticed there were several small patches in the wood that were in the same strange condition that had affected the wood at the library. The same strange web-like disintegrated areas, in three small patches that broke and fell away when I touched them.

I gritted my teeth, shrugged my shoulders and went inside. I would have to keep my eyes on that. That sort of weird phenomenon had been going on for years all over the city, but sometimes it could be really dangerous, and it could seemingly affect any kind of material—not just the wood. Not just houses. Furniture and machines and more.

Nobody knew what caused it, nor the limits of the damage it might eventually wreak. But what could we do but keep an eye on it for now?

Kamen Rider Impressions Part 12, Kamen Rider Drive and Kamen Rider Ghost

Credit: IMDb

Kamen Rider Drive (2014-2015) episode 1 “Why Has My Time Stopped?”

For much of this project, I kept wondering why we didn’t get a policeman Rider—and finally, with Drive, we do—but he doesn’t have a police bike, and instead the hero has a souped up red sports car! Hero Shinnosuke Tomari (his last name must be a pun—“tomaru” means “to stop”) is a superior police detective, but ever since a tragic accident, Tomari hasn’t operated at full capacity due to the trauma–setting up a strong character hook. A big innovation of this series is an initial time-slowing incident where Predator-like monsters attack and time slows down at multiple explosive points around the world. The time dilation events continue to happen after the disaster, though not with the same destructive force, and in the first episode the monsters seem to be attempting to kill people by changing them purple. Tomari works with Kiriko Shijima, a no-nonsense cop lady who abuses and “arrests” Tomari on a regular basis.  It turns out she is part of a secret-secret group and is trying to goad Tomari to become cool again, and it is through her that he attains his awesome talking car/belt and transforms into Drive to kick all the butt.

The gimmick this time is toy cars that Drive can jam into his suit to change the massive tire wrapped around his torso and so activate new sets of super powers. The toy cars can also create floating roads on which they can drive independently and attack the monsters by various means—it feels like an extension of the time train in Den-O, and reminded me of a particular power used in Jojo’s Bizarre Adventure. The tire power idea leads to some memorable high-speed clashes and the hero squealing about on the concrete as if he is a vehicle himself (like Denjin Zaborger). I was glad to see that Shijima can kick some fair hinder on her own, too. Also, there is definitely some sexual tension going on as Shijima revs up Tomari by playing with his belt buckle—I think there is a bit of a running erotic undertone in these shows with the female support providing the male heroes with new belt buckles and generally helping them transform as they jigger with the latches. The Knight Rider-esque super car is a sweet switch-up, too, and I appreciate that the hero isn’t so dopey—though I wish they had kept with a more “police” look for Drive and his vehicle of choice.

Credit: IMDb

Kamen Rider Ghost (2015-2016) episode 1 “Eyes open! It’s Me!”

From policeman to ghost-hunter-turned-ghost is a pretty drastic shift, but Kamen Rider Ghost shoots for the moon with another out-there concept, proving the creators are ever resourceful and admirably willing to try for something new. Takeru Tenkuuji is the son of a great ghost hunter who was apparently killed on the hunt, and Tenkuuji has felt lost and frustrated most of his life, trying to find his purpose, and frustrated with his lack of ability to see ghosts. When some mystical wraiths start showing up and attacking innocents by slashing cars and bikes and such in half, Tenkuuji receives a package from his dead dad that includes a strange device which enables him to peep ghosts. The ghosts he sees want to steal the device from him, and, right in front of his science-loving friend/possible love interest, Tenkuuji gets straight-up murdered by the undead. In the dead realm he encounters a sort of wizard figure who helps him learn how to change into Kamen Rider Ghost and search out fifteen “Eyecons”, which are round devices with souls inside. If he can find all fifteen in 99 days, he can resurrect himself. If not, he will truly die. Naturally enough, he starts fighting the ghosts that killed him, and learns how to use legendary samurai Musashi Miyamoto’s soul to power up and kick all the ghostly glutes. He also learns how to manifest himself to normal humans.

I like that this series takes place in a temple with monks, and I love that Tenkuuji actually becomes a ghost and ends up harnessing undead spirits ala Shaman King. When he takes a new spirit into his Rider system, his costume changes dramatically, too. Sure, the “find 15 Eyecons” mission feels like a Dragonball treasure chase, and his skeptical female counterpart seems one of the less charismatic in the series, but there is some cool stuff here. I really liked how the crew managed to pull off the bisected car with practical effects, and how Tenkuuji’s one-eyed floating sidekick (presumably inspired by Gegege no Kitaro) is achieved partially through puppetry. The look of Ghost is pretty striking too—I like his hoodie—though I kind of wished he was white or gray. This one has big ideas, but still feels a bit underwhelming from the first episode. Still, the constant innovation from these series really has me going—and the next show looks like one of the weirdest yet!

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A Tyrannosaurus on my Doorstep, Chapter 23

By me, with art by Sam Messerly.

Click here to read from the beginning.

Everyone at the park was pretty surprised when Warbell showed off his new, sleeker, more aerodynamic teeth. As usual there was a crowd. A number of people just wanted to take pictures or record the spectacle of a dinosaur eating an enormous beef lunch. Many in that crowd, when they saw Warbell’s killer bananas, shrieked and ran. However, I also heard a chorus of oohs, ahhs, and someone whispered “that’s so cool.”

I didn’t stick around long to chat with the locals or to listen to the barrage of questions (I heard somebody ask, “What is it like to eat a triceratops with THOSE teeth?”). I had more pressing issues at hand. For one, I realized in the hubbub of the day I had ripped my jeans something good. Thus very discreetly I drove home and left the gawkers and the rubberneckers behind.

I didn’t see Warbell for the rest of the day. Though I was supposed to meet him for supper (Warbell wanted to try to eat like a human, even though he said dinosaurs generally do not have three meals a day), I conveniently forgot and instead actively worked on the library wiring and passively worked on my tan. If roofers and construction workers can sometimes work shirtless, I have always figured that I could, too—especially as I had been so consumed with taking care of Warbell that I had forgotten to do the laundry all week.

When Warbell came back to the house, I was sitting on the roof watching movies on my cell phone. It was already past dark. We looked at each other, and I scooched a few more feet away from the edge.

“What are you doing on the roof?” asked Warbell.

I was relieved to see that his teeth had returned to abnormal and he no longer appeared to have a set of murder-tools in his mouth.

“Since when do dinosaurs have dentists?” I asked. “I want you to explain what you are.”

“Everyone was asking questions about my teeth today,” Warbell sighed. “I don’t understand. Wasn’t it obvious that I had had some work done on my teeth from the start?”

“Yes, but nothing made sense about you from the start!” I said. “Why can you just change your teeth like that? Why can you talk? Did you really sleep for millions of years?”

“I told you, I don’t know how long I slept,” Warbell said. “Time doesn’t have the same meaning for me. And I am wearing pants. Was that not a clue for you that there was a greater dinosaur civilization? Of course dinosaurs also have dentists. But I left that place. I am living here now, because Final Pumpkin is my home and my land.”

“That place?” I about yelled. I was standing on the roof now, holding my cell phone as if I was going to throw it at the big beast standing before me. “Where did you come from? Are the dinosaurs going to invade?”

“No, they are not going to invade,” Warbell said. “But they visit and have visited many times.”

Read the next chapter.

A Tyrannosaurus on my Doorstep, Chapter 22

By me, with art by Sam Messerly.

Click here to read from the beginning.

Well, what do you think my response was? That’s right, I floored it. I pedaled as fast as I could, which wasn’t very fast with all my stuff crammed together on my bike. I dreamed of flying all the way to Alaska and hiding in an igloo far away from every dinosaur in the world (or at least the one standing next to me at that moment).

As I was frantically pedaling down the street at an embarrassingly slow speed, Warbell matched my pace with a nonchalant stride and noticed that something was wrong.

“What’s your problem?” Warbell asked. “Yikes, I need to be careful with my tongue. It’s tricky speaking in English with these teeth.”

And it was true, Warbell’s pronunciation changed markedly just with the introduction of a different and more lethal set of dentures. And it was in that moment I realized that Warbell wasn’t chomping my body in half in a frenzy of blood and guts and carnivorous slobbering glee.

And since I hadn’t lost my guts yet, I gathered my guts up and asked a question. Albeit in a quivering, quavering little girl whimpering whine.

“Your, your, your teeth,” I said. Well, it was almost a question.

“Yes,” said the tyrannosaurus rex carefully. “These are the teeth I use when eating meat. You have a fork and a spoon, I have two sets of teeth that I can switch between. Are you ready to go to the park, because it’s in a different direction.”

“You, you, you could’ve eaten me! Bitten me in half! Chomped me to hamburger hash!” I blathered in a chunky spew of vocabulary stew.

“You could bite off your index finger if you really wanted to,” Warbell sniffed. “I am not in the least bit interested in eating you. That cow, on the other hand, sounds fantastic, so let’s go. My stomach is growling more than your neighbor’s dog every time I pass the house.”

“But how!” I said. “Your teeth, I mean!”

Warbell looked at me with a dino-expression of utter exasperation.

“We dinosaurs take our dental work very seriously,” he said. “You have to when you possess teeth the size of bananas. Shall we go?”

On the way to the park, with Warbell jogging placidly beside my bike, images of dinosaur dentists pranced and frolicked and pronounced “Say ahhhhh” in my mind. People say dentists are scary. They just got a lot scarier. And I don’t think they would have to ask me to say “ahhhhh”. I’d already be screaming in that dentist chair.

“I am working on a list of jobs I might be able to do,” said Warbell. “I would appreciate your opinion. Especially for a job in which I could converse with a wide variety of people.”

“Oh,”I said. “Talking to people.”

“What do you think about a policeman?” he asked.

“Yes,” I said. “I would like to call the police right now.”

“I mean as a job for me,” said Warbell. “As a member of the police, I could talk to many people whether they wanted to talk to me or not. Why do you want to call the police? And isn’t the park over that way?”

I had missed my turn because I was thinking too much about calling the police and wondering about the utter terror of a dinosaur dentist and the horror of a banana-sized root canal. The way to the park felt like the longest single bike ride in my life.

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Kamen Rider Impressions Part 11: Kamen Rider Wizard and Kamen Rider Gaim

Credit: Kamen Rider Wiki

Kamen Rider Wizard (2012-2013) Episode 1 “The Ringed Wizard”

With some economical storytelling, Kamen Rider Wizard sets out its premise clearly and compellingly in the first episode: a totally chill and wicked-cool magic-user with a host of fantastic powers is battling evil beings called Phantoms who attack humans with feelings of despair in order to destroy their hope and bring forth more monsters. Taking a firm step away from the long string of blatant dumb-dumbs that had been populating the lead roles in the Rider shows for the last several years, Haruto Soma is totally rad with his colorful costumes, his assured movements, and his waist-coat/cape billowing about his legs. The show creates a great contrast against the sci-fi trappings of Fourze, and Soma is already greatly experienced in magic-manipulation, meaning we get to see him absolutely trash the place with the kaijin baddies right from bang-go. His ability set, too, feels fresh, including scintillating yummy skills like changing size, teleportation, and diving into people’s minds.

Like previous Riders, when transformed, Wizard can cycle through versions of himself with different powers, this time based on elements (fire, wind, land), and this go around the key is his set of oversized rings he wears on his fingers. He drives his magic bike through teleportation rings, too—and while he rides a tiny CGI Pegasus at one point, I kind of wish they had gone full horse and replaced the motorbike outright with an equine. As with virtually every other Rider show, Wizard has another backup babe helping him with the details, and this time he is also rescuing a helpless female police officer escape from menacing monsters. Given that it’s a new Rider every time in each incarnation of the show, and also since female Riders have been appearing for a while, I wish the main Rider could be female for once—or at the very least that the behind-the-scenes lady could kick equal buttocks alongside the hero. Monster designs also feel just adequate from the first episode.

Nevertheless, the lean and focused narrative drives forward effectively, the dynamics and Soma’s tragic past come together with style and aplomb, and the show once again effectively distinguishes itself from what came before. This show doesn’t strike me as a loser, either.

Credit: Kamen Rider Wiki

Kamen Rider Gaim (2013-2014) episodes 1 and 2 “Transform! The Orange from the Sky?!” and “Deadly! Pineapple Kick!”

Well, we had one hyper-capable Rider in Wizard, and now we are back to the dorky everyman category again. Kamen Rider Gaim’s hero is Kota Kazuraba, another orphan who works part-time jobs (he delivers Indian food and works at a construction site, and is taken care of by his doting older sister). Kazuraba was part of a dance team called Gaim but is trying to grow up and be responsible and so put the funky dance moves behind him. However, in this world, dance gangs fight over available dance stages, and they do so by summoning strange monsters (called Inves) from another dimension to do battle in makeshift arenas. When the bully dance team Baron starts beating down on Gaim, Kazuraba comes back to his main crew help out, and in a twist of fate finds an open dimensional rift, encounters more Inves, and comes into possession of a belt that transforms him into an orange-fruit-themed samurai warrior. The dance teams continue to snipe at each other, and so cause an Inve to escape, and Kazuraba manages to defeat it using both his orange powers and a follow-up pineapple form. Plus there is a magical girl who looks like Kazuraba’s teammate Mai, and a suspicious company called Yggdrisil lurking in the shadows.

This show definitely feels like it’s throwing everything at the wall—and then throws everything again. It’s not just a samurai version of Kamen Rider—it’s samurai FRUIT riders! And that’s not all, the main characters are all super-serious dancers who have Pokemon-esque battle creatures! And the main character has not one job, but two! Some of the bits work well for me—I liked Kazuraba’s relationship with his sister, and the fact he is an orange samurai tickles me (as orange is my favorite color). I also like that Kazuraba goes around trying to use his Rider powers to help him out in all his regular everyday pursuits, not bothering to keep his identity secret. It kind of reminds me of Peter Parker trying to deliver pizzas via webslinging. On the other hand, the dance sequences are pretty lame, and it feels like a cheat that the dancers don’t have dance battles. The Inves battles, too, are disappointing, as the Inves mostly look the same, and their design is kind of dull. The Riders are using locks (or Lockseeds) this time (instead of medals, or cards, or thumb drives, etc), which is fine—and the fact the locks also hold the demons at bay inside is a nice touch. I almost love the fruit theme more than anything else, though. It’s so dumb, but the creators lean into it hard—to the point that the transformation sequence looks like a giant orange falling on Kazuraba’s head to transform him. I approve very much.  

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