A Tyrannosaurus on my Doorstep, Chapter 21

By me.

Art by Sam Messerly.

Click here to read from the beginning.

Eating out at restaurants for every meal with a dinosaur appetite was not going to work on a budgetary level nor a sanity level. The city was supposed to supply lunch for Warbell (according to my notes) but apparently they had forgotten or at any rate some sort of mistake had been made and a dinosaur had not been fed and now it was my problem.

“Can’t you just eat some leaves and twigs from a few local trees?” I asked as I walked Warbell out to my electrician’s bike. I liked to get some exercise and had outfitted my bicycle so that it could carry my toolbox and other essentials for smaller jobs.

“Yes, actually,” said Warbell. “But I was promised a lunch as king of the town, and I want to have my lunch. Also, I want to talk with you.”

“Did you meet with “Punchface” yet?” I asked. I looked over the dinosaur again, thinking about my theory. If Warbell really was a lady, I decided that t-rexes really have the ugliest females in the animal kingdom.

“Yes, it was a short meeting,” Warb said. “Punchface wants to have a boxing match with me.”

I almost tripped.

“Punchface wants to fight you?” I gasped.

“He wanted to meet and have a look at my hands to see if maybe I could wear boxing gloves, or if special gloves might be needed since my hands are pretty different from a human’s.”

I stared.

“You want to go through with this?”

Warbell tried to shrug, but his anatomy didn’t really allow for it.

“Why not?” he said. “My body might be very large, but my arms are not much bigger than a human’s. This match could show people that I can interact with them. Maybe it would help me to get a job.”

“Are you still on about that?” I asked. “You don’t need a job. Millions of lazy twentysomethings would die to be in your position.”

“I want to be able to talk to people more,” Warbell said. “I have questions about a lot of things, but people won’t talk to me openly even when I command them to.”

“What on earth do you want to know about?” I asked. “People are usually pretty friendly around here I think.”

“You wouldn’t tell me about your leg,” Warbell said. “The doctors wouldn’t tell me about the boy.”

I shook my head, folding up my sparky belt and tucking it into a compartment on my bike. I pulled out my cell phone.

“Health stuff is private stuff,” I said. “If you want to know about that, talk to old people. They love explaining everything about their aches and pains five times backwards and forwards, then start over again. Anyway, food, right? I’ll call and see about where the city can deliver your lunch, okay?”

After some confusion on the phone and a run around about who I needed to contact in order to find out who had the old lizard’s lunch on hand and where it would be best to eat it, we determined that the meal—a dead cow—would be delivered to Jackal Lantern Park at three. I relayed the message to the dinosaur and said I would take him over there and stuff my face on something, too, since official attendants got tummy needs, too.

“A dead cow?” asked Warb. “Didn’t I tell them I don’t need to eat meat, that vegetables are fine? Besides, I can’t eat an uncooked corpse with these teeth. These jaws are made for smiling, not for tearing flesh.”

“Yeah, well, what are you going to do?” I asked and started to climb onto my bike. “Just follow me over.”

“I guess there really is no choice in the matter, is there?” Warbell said. “It’s uncomfortable to change dentures, though.”

And with that, Warbell grimaced and grunted, and then his beautiful set of teeth instantly collapsed before my eyes into a wicked set of the long, sharp, serrated monster fangs of a real tyrannosaurus rex.

Kamen Rider Impressions, Part 10: Kamen Rider OOO and Kamen Rider Fourze

Credit: Suruga Ya

Kamen Rider 000 (2010-2011) Episodes 1 and 2 “Medals, Underwear, and a Mysterious Arm” and “Desire, Ice Pops, and Presents”

Not cards, not thumb drives, this time it’s coins/medals! Kamen Rider 000 (pronounced “Ozu”) takes several familiar Kamen Rider tropes and jiggers them around a bit, but still manages to make the series feel fresh with a pimping ska-pop soundtrack and some fresh aesthetics. Our hero this time is ANOTHER lame loser who just kind of drifts around. This time his name is Eiji Hino, and he happens to be working as a security guard one night when strange monsters constructed from coins emerge from ancient relics at his workplace. Hino winds up manipulated by one of these so-called Greeed monsters, a being called Ankh who exists as a floating forearm—and together with a borrowed magic belt becomes Kamen Rider 000. A bizarre family/company run by an insane executive who sings “happy birthday” to the emerging monsters also serves as a provider for Hino/000s as he tangles with Ankh. The arm soon takes over a police officer’s body, stealing his identity, and which causes his superhumanly strong sister Hina to worry about his (the policeman’s) wellbeing. Hijinks ensues.

And what hijinks! So many neat ideas make their way onto the screen, from the vending machines that transform into super bikes, to the complicated nature of the composition of the Greeed monsters, to the inexplicably superhuman sister figure, to the bizarre flying robotic octopi. I am getting really tired of the idiot wanderer shtick by this point, but the return of a beasty partner/nemesis ala Den-O is another shot in the arm (hyuck), and the fact that the second episode features 000 grappling with a skyscraper-chewing giant bug is a big plus in my book. I like it.

Credit: Suruga Ya

Kamen Rider Fourze (2011-2012) Episodes 1 and 2 “Youthful Transformation” and “Space is the Best”

Moving from another loser drifter with coins in the last show, this time it’s a cheerful and stupid punk high school kid, and the power gimmick is switches. I have been a huge sucker for the ludicrously strong and practically brain-dead punk high schooler trope ever since the School Rumble manga and anime, so I was delighted when Fourze’s Rider, Gentaro Kisaragi, came strutting on the scene. He is dumb as a rock, but has so much energy and feeling, and I love his dopey insistence on becoming friends with everyone in his new school (another familiar plot element—he is a transfer student). If anything, based on the first two eps at least, the biggest problem in this show is its over-reliance on high school tropes—most of the characters are pure high school drama cardboard. The pseudo-goth girl nerd, the queen witch, the snooty sports jock, the strict cliques and bullying tropes are all here, but accelerated. Which is to say, everything happens fast and is shallow… for now. However, Kisaragi is so much goofy fun that he makes up for a lot of the thing parts. The one character that most falls outside of the tropes is Kisaragi’s rival, Kengo Utahoshi, given his physical difficulties combined with a pretty-boy aesthetic and utter disdain for all around him. Main girl Yuki is totally adorbs, but only plays the usual supporting role.

The new Kamen Rider tricks are pretty memorable, as the show takes its tech-and-monster themes from space this time (the show was made as a 50th anniversary tribute to the first space flight). The Rider suit is patterned after an astronaut’s outfit, and the weapons tend to be related to space exploration, too, and appear on the Rider’s limbs at the flick of a switch. His freaking bike also launches into space this time, too! The monsters, called Zodiarts, are themed after constellations, and also triggered by the switches—but not much is revealed about their origins in the frenetic first two episodes.

I was absolutely sky high with enthusiasm for the series after the first episode, but felt a dramatic descent from the second as the high-school tropiness ratcheted up a few notches. The goth girl, man—I don’t know if it’s the actress, or the directing, but her performance did not engender cool or likable. And Kisaragi—who tries to be friends with everyone—practically beats her up upon first meeting her for no reason at all, after she offers to help him! That and a few other niggling bits started to prick at my annoyance meter, but still, so much to like in this series! I am stoked to see what’s next!

A Tyrannosaurus on my Doorstep, Chapter 20

by Nicholas Driscoll–that dork.

Art by Sam Messerly–that fine gentleman.

Click here to read from the beginning.

I had been knocking around the idea in my head for some time, really. The rocks I had found underneath my house were uniform in size and round and large. Each was about the size of a football. I had looked up dinosaur egg fossils on the Internet and found that they come in a variety of shapes and sizes, and while none of the pictures I found on the Internet looked exactly like the ones I found, I figured eggs in the real shell would probably look a bit different than fossils anyway. Why wouldn’t they?

And if Warb was really here laying eggs underneath folks’ houses… Well, the implications were pretty scary. To me, it would explain why Warb wanted to live in my garage rather than anyone else’s, and also why he wanted to live in this city at all. And it could also mean that he or she was planning to feed something to his dinosaur babies after they hatched… such as, I don’t know.

Me.

So while I was impressed by Warb’s going out of his way to help that kid from Six Degrees of Bacon, at the same time I couldn’t help but wonder if something more sinister was going on. Maybe he was just saving the kid’s life so there would be more to feed the baby lizards once they hatched. Maybe Warb wasn’t a guy at all.

I mean, I can’t tell a tyrannosaurus’ sex.

Colander had listened to my theories, making her soft quips and jabs as she does. But she agreed with me that the rocks sounded pretty weird, and nodded and tut-tutted when I showed her pictures on my phone. She had been a bit of a rock-hound in her youth, and she agreed to meet with me the upcoming Saturday afternoon at two to investigate the rocks. That same day Warb had an appointment with an advertising company that wanted to feature the old lizard in some commercial selling the latest cell phone—apparently it had a particularly ergonomic structure so ‘even if you only have two fingers, you can use it.’ It was the one of three advertising companies that wanted to meet with Warb that week.

The rest of the morning was drilling holes, threading blue plastic tubing through them, hooking the tubes up to the light switch boxes, then pulling wire through the tubes to hook the switches to the lights. In order to do that, I had to grab the right number of wires, slip a wire net like contraption over their collected tips, slide a lead wire through the blue tube, hook that wire to the wired net that held the tips of the wires, then pull the whole shebang through the tube to their destination (sometimes with the help of lube to make the wires slip through easier). After I had pulled the wire through the tube, I could cut the wire and start splicing.

As I was working on those things, I started to notice something rather odd about the wooden planks. The wood wasn’t as even as it should have been. In fact, it wasn’t as even as it had been the last time I had been in the building. And it wasn’t just on small areas. I noticed a number of places where bits and pieces of the planks had been chipped out or eaten away or… something.

I looked closer. It didn’t look like insects had been chewing away at the wood. It wasn’t wormy holes. It also didn’t look like someone had chipped away at the wood. Instead, there were filmy bits where the wood was weakened, as if parts had suddenly just rotted away, but not in any regular pattern. Like somehow the wood had been reduced to a random web of pulp in places.

It wasn’t everywhere, but the spots were noticeable on most of the boards, and the longer I worked, the more of them I noticed. I was no carpenter, but I decided to recommend to Colander that she get the planks inspected and maybe replaced. This, unfortunately, was not the first time we had seen this sort of phenomenon, and it could cause huge problems.

I was just about to go talk with her when I turned around and nearly jumped out of my skin.

“It’s 2:30 and I’m hungry,” said Warbell, standing just outside the library expansion with a sour expression.

Continue reading.

A Tyrannosaurus on my Doorstep, Chapter 19

By Nicholas Elton Driscoll

Art by Sam “Rambo” Messerly.

Click here to read from the beginning.

“Hello, oh late one.”

It was Colander Caracal, the librarian. Today she was wearing an eyepatch with a picture of an eyeball on it, and she had stacks of books like miniature skyscrapers at both her sides. And she was smiling that grin of hers that reached for one eye on one side, dimpled the cheek on the other.

“I had a bit of an adventure this morning,” I said. “You wouldn’t believe.”

“You live with a dinosaur now, Walter,” she said. “By definition your life is hard to believe. How’s the new ambassador job?”

I shrugged and adjusted my work belt.

“I got to taste dinosaur spit this morning,” I said.

Colander raised an eyebrow over her eye patch, and the image of the eyeball bounced excitedly.

“What kind of ambassador are you anyway?”

“A sore one,” I said. “I think my shoulders are going to be so blue I am considering starting a music group. I’ve got plenty of plastic tubes I can bang on.”

Colander started walking me to the new area of the Final Pumpkin Public Library, an expansion long overdue at a library overflowing with too many books as well as an excess of warmth to go around for anyone who visited. We passed a line-up of brats on the computers who were playing the latest idiotic webgame—Fartnight, a game in which you have to fart, but you don’t want to wake your family or something. I don’t know, I haven’t played it… much.

“I heard your dinosaur friend saved a boy’s life today,” Colander said. “You must be a proud dino daddy.”

“News travels fast,” I said. “But it’s true—I always thought that carnosaur would probably put some people in the hospital, but I didn’t expect it would be like that. I couldn’t believe it.”

I started cutting smurf tube to feed through the incomplete walls of the expansion as we talked. In all the craziness of the last few weeks, it felt good to have something that felt close to a normal conversation for once.

“Several people went to the hospital today,” Colander said quietly.

I froze.

“It happened again,” I said.

Out of the corner of my eye I could see Colander nodding.

“Looks that way,” she said. “Still too early to know what caused it I guess. Well, I mean, we don’t really know what happened the first time.”

“Or the second,” I said. “Or the third. How bad was it this time?”

“Three people,” she said. “One died.”

“Right,” I said. “So we have these mysterious deaths and injuries or whatever you want to call them. Cell phones and computers conk out and break down at an extraordinary rate in our city, which keeps me busy and in the money at least. But also buildings fall apart for no reason. I’m still single. And now we have a dinosaur. A dinosaur that talks and smiles and says it’s our king. What’s next? And what the heck does this dinosaur want anyway? He was talking about getting a job today!”

Colander ran her finger across the nearest plank of wood and flicked dust off her fingertips, folded her arms and leaned against an incomplete pillar.

“Maybe he should start a t-shirt company,” she said. “You know, t-rex. T-shirts. T-riffic.”

I shook my head, bizarre images of Warbell sitting at a sewing machine intruding into my mind.

“No, I want to figure what the doodle is going on,” I said. “For real. It’s been bothering me. There has to be some explanation, and I am not sure it’s going to be a happy one. Maybe you can help me out, actually, Colander. You’re a smart woman.”

“I admit it, I am,” she said.  “Though if I was really smart, I would probably say no to your wild schemes.”

“I have a theory about this dinosaur,” I said. “And I found something to back it up.”

“What’s that?” she asked.

“I found some strange stones,” I said. “And I wonder if they might actually be dinosaur eggs.”

Read the next chapter.

Kamen Rider Impressions, Part 9: Kamen Rider Decade and Kamen Rider W

Credit: Kamen Rider Wiki

Kamen Rider Decade (2009) Episode 1 “Rider War”

In 2023 we are well into the world of multi-verses and cinematic universes, with Marvel doubling down on the concept with the recent Ant Man and the Wasp: Quantumania and DC diving straight in with The Flash… but the Kamen Rider multiverse has tinkered with these ideas for years, and their Endgame of sorts was Kamen Rider Decade, which featured the previous ten shows’ worth of Riders, as well as an idea that their respective universes are colliding—and the heroes are being destroyed. The opening battle sequence is a dream in which all of the previous decade’s worth of Riders are killed off in spectacular fashion by newcomer Decade, which is both awesome and disheartening at the same time (especially as Decade’s design is not one of the cooler ones in the Rider pantheon).

As the show progresses, the concept is laid out with breathtaking speed: Another idiot male lead (this time a loser photographer instead of a man with bad luck/dumbhead violin maker/quote-unquote “professional dream-chaser” etc) is charging shmucks on the street for his brand of out-of-focus photography. Somehow he has roped the local photography joint into subsidizing his bad pics, and the cute hothead girl Natsumi comes to beat him up with her special attack (she was also the one who had the dream in the beginning). The idiot male lead is named Tsukasa, and he gets Natsumi pulled into the maelstrom of multiverses, resulting in a wacky sequence wherein she dashes her way through multiple baddies from multiple universes and Decade eventually saves her with powers from previous Riders (anyone who has seen some of the latest Ultraman shows will know the deal—cards with the powers of previous heroes somehow saved inside endow Decade with other Riders’ abilities when scanned). Perhaps the most interesting wrinkle here is that Decade is tasked with traveling to the other Rider worlds and exterminating the other Riders—not saving them, exterminating them, in order to save Natsumi’s world (and his own? Maybe?).

The ambition is obviously there with this series. Natsumi is pretty likable, too, and at least the hero isn’t collecting sludge and cooking it up to make slop soup. It is exciting to see previous Riders arriving on the scene again, though a lot of my excitement was tempered from… well, living in 2023, where the multiverse gimmick has kind of soured a bit. Still, this idea was much more novel at the time, and it holds some promise.

Credit: IMDb

Kamen Rider W (2009-2011) Episodes 1 and 2 “The W Search/Two Halves of One Detective” and “The W Search/Those Who Make the City Grieve”

Film noir Kamen Rider? Seriously? I love this idea! I enjoy a good film noir (I recently watched The Glass Key and totally digged it—including the bits that apparently inspired Akira Kurosawa’s Yojimbo), I love the stylings, and even though Kamen Rider W approaches the genre in a very goofy manner, I love that those trappings are incorporated into the Rider mythos with this series (which came out the same year as Decade—so much Rider that year!). We get a jazz-heavy score, a pseudo-detective suit for the hero, even a femme fatale! Shotaro Hidari is a self-proclaimed hard-boiled detective, and he works with his researcher Philip to investigate crimes—and monsters, this time called Dopants. When Akiko Narumi, his new landlord and a violently nosy woman, comes to evict Hidari, she ends up roped into dangerous encounters with the monsters, and we discover that Hidari and Philip can fuse together to become Kamen Rider W (double, get it? It’s a similar conceit to Ultraman Ace back in the 70s). Outside of the film noir backdrop, the hero-fusion conceit is probably Kamen Rider W’s greatest claim to originality. Essentially half of W’s body has one power set (like “cyclone”) and the other has another power set like “fire”), and they can switch out the power sets using mystical thumb drives. In this way, we get a step away from Decade’s straight up transforming into the heroes’ themselves, and the pastiche imagery of W transforming half at a time. The absurd action sequence possibilities that sometimes arise make for a memorable gimmick. While the episodes I watched feel a little heavy on the catchphrases, and the acting is still a bit overly cute, I really dug this one.

Continue reading.

A Tyrannosaurus on my Doorstep, Chapter 18

By Nicholas Driscoll.

Excellent art by Sam Messerly.

Click here to read from the beginning.

“Well, regardless of your sudden desire for employment, I have a job already which I am late for,” I said. “Your highness can get his own job, if he is so inclined.”

Warbell was looking indignant again. I was starting to be able to read his expressions by this point, and the emotions inscribing themselves oh his mug could definitely be termed the old lizard’s “indignant face”—haughty chin, flared and quivering nostrils, shiny clenched teeth. I braced for another tirade, but Warbell surprised me with a whisper.

“This is very important, Walter,” he said. “I need a job. I want to meet people, talk to people. I want to learn about this world.”

“You meet people all the time, what are you talking about?” I sputtered, and I could still taste bacon-coffee on my breath. I bit back an unpleasant belch. “Everyone wants to talk to you.”

“They just want pictures and autographs,” Warbell said. “They don’t really want to talk with me. Usually the conversation never goes beyond them asking me something like, ‘What is it like to eat a triceratops?’”

I thought about that for a moment.

“That’s a good question—what does a triceratops taste like?” I asked.

“They taste pretty similar to austroposeidons, really. A little less fatty.”

“An austro-what?” I said. “Never mind, forget it. I need to call a taxi or something. I’ve got to change my clothes and go work on the wiring at the library. And you have a schedule to keep. Raul “Punchface” Panfester, the famous boxer, is scheduled to meet you this afternoon at city hall, you have autographs and a photo session, and some scientists want to stab you with some needles again or something…”

“I’ll take you to your home,” said the dinosaur. “We need to talk.”

“Oh, no,” I said. “Your claws caught on my pajama top and ripped it. I’m bruised and sore. I lost one of my shoes.”

“Come.”

And Warbell picked me up again and started towards the street, moving easily and smoothly this time instead of running. But even still, my shoulders were killing me, and riding in those t-rex claws are very far from safe and comfortable travel. They also don’t come with seatbelts, let alone airbags. I protested vociferously.

“Put me down, you big idiot!” I shouted. “You’re going to dislocate my shoulder. Holey donuts, my arm!”

The dinosaur slowed down and lowered me to the sidewalk in front of the hospital. As soon as I was on the ground, I had my cell phone out and was calling a taxi.

“As much as I would love to talk about the job market with you, Warb,” I said while the phone was dialing. “I can say that there is going to be an opening for an excellent electrician here pretty quick if I don’t get going. Besides how are you going to get a job when you can’t even physically enter most of the buildings around here? You can’t sell hamburgers if you can’t get behind the cash register.”

I got through and gave directions to the taxi, then I hung up and turned back to Warb. The big lizard was flexing his fingers back and forth, nasty claws looking about ready to sink into my flesh.

“I got your schedule right here,” I said, handing over a piece of paper. “Get over to city hall first. You’ve been there often enough. You don’t need a job. You don’t need money. I’ll come by at lunch to check on you later.”

We waited in silence for a few minutes, but thankfully the taxi came quickly. I quickstepped over to the vehicle, then turned to Warb again and kind of gave a wave to get his attention.

“Warbell,” I said. “Good job today. You might have saved that boy’s life.”

And then the taxi driver was shuttling me away.

Kamen Rider Impressions, Part 8: Kamen Rider Den-O and Kamen Rider Kiva

Kamen Rider Den-O (2007-2008) Episodes 1 and 2 “”Here I Come” and “Ride On Time”

Voted the number one Kamen Rider show of all time in Japan as part of a big event celebrating Kamen Rider’s 50th anniversary in 2021, Kamen Rider Den-O (basically Electric-King, or Train King) is another wild swing with a very different feel and execution than previous Riders. The tone goes for the comedy, mostly eschewing horror (though with some death and menace yet incorporated), and for me I was glad to see Takeru Sato as the lead as I have really enjoyed him in a variety of roles in films—Den-O was his big start.

This Kamen Rider has… an elaborate set-up. Ryotaro Nogami is a total loser and has remarkably awful luck, with an opening scene featuring him somehow stuck on his bike up a tree. Throughout both episodes I watched, he continually falls into terrible situations through outrageous misfortune—including getting stuck with a strange device that allows him to board a train that travels through time, and getting paired with an Imagin—basically a genie (or jinn) that connects to his spirit and wants to use him to gain its own independence. The device that lets him ride the train combined with the Imagin allows him to transform into Kamen Rider Den-O, and he uses his awesome new powers to fight other Imagin who are bopping around through time and causing mischief.

On the positive side, the off-the-wall character of the new show is delightfully wacky. The idea of a time train that travels around constantly laying down its own track is off the wall, yet the resulting plot contrivances that can come from the timeslip plot can actually reach for tearjerking scenes that are surprising given the silliness of the show. Den-O has some awesome powers, too—as well as stylish self-arming sequences as he slaps together his crazy sword. Nogami’s interactions with his Imagin are quite amusing at times, too. The monster designs stray from the familiar animal themes a bit, which is a further welcome change.

On the negative side, Nogami is SO WHINY. I bet he improves over the course of the show, but geesh. The CGI is also pretty unsatisfying, and at the beginning of the first episode I thought I was watching a cartoon. Still, the show came out almost sixteen years ago, and the program succeeds (based on the first couple episodes) far more than it fails. I wish I had started watching these shows more years ago, they are just really fun.

Kamen Rider Kiva (2008-2009) episodes 1 and 2 “Fate: Wake up!” and “Suite: Father/Son Violin”

Another big change from the previous year, Kiva turns back to a definite horror vibe, albeit without the blood and also without near the creepy-factor of some earlier programs. The monsters are called “Fangires” this time, but are essentially vampires who suck the color out of people with huge CGI fangs. The story follows two timelines—one in 1986, one in 2008—and in both timelines, there are Fangires menacing violinists, there are tough battle ladies with blades and grappling hooks, and there are lots of violins. Kiva himself is another apparent loser—this time Wataru Kurenai, a dope who thinks he is allergic to the world and collects things like rotting fish and dog poop to try to make the perfect varnish for his violins (What the flip?!). Kurenai has this little bat-shaped familiar who chatters at him and flaps around and turns into his belt so he can henshin into Kiva, a vampire-themed Rider with chains who blows up Fangires and feeds them to a giant monster that is built into several floors of a skyscraper.

There are some great scenes in the early eps, such as a Fangire masquerading as a corpse at a funeral suddenly popping up and attacking, or a great wacked combat sequence where Kiva races a wheel-footed octopus Fangire and smashes her into several parked cars. The CGI is much more successful this year in these episodes, too—maybe because of the darker environments? I love that we get some combat girls, though I was disappointed they weren’t main Riders—nor even Riders at all—and so they always end up being rescued. The show continues the boy-band theme, where it feels like the entire cast was culled from famed boy-pop empire Johnny’s—and every one of them is a nerd or a jerk. Still, the continued variety and craziness is appreciated, and the prevalence of chains made me wonder if Ghost Rider (2007) may have influenced the look of this iteration. I did get really confused with the switching between 1986 and 2008; the show telegraphs the change with transitions, but I didn’t pick up on the shift at first as the fashion and appearance of Japan in both ages looked really similar to me. Basically I got really confused, which rankled me a little! If I rewatched the show again now, I might enjoy it a little more.

Continue reading.

A Tyrannosaurus on my Doorstep, Chapter 17

By Nicholas Driscoll, again.

Art by Sam Messerly.

Click here to read from the beginning.

The nurse stood there speechless for a moment, but then she downright exploded.

“You think you have a right to know that boy’s medical records just because you’re a big fat dinosaur with a loud voice?” she said. “I am going to deliver a new think to your pea-sized brain, honey, because that is NOT how things work in the USA whether you’re the king of the dinosaurs or the king of rock and roll.”

For once, Warbell seemed taken aback and speechless himself. The dinosaur’s mouth was hanging slightly open, the fierce look in his eyes replaced by a flickering set of feelings from surprise to rage to confusion and back again. I almost laughed, but the nurse kept on with her scold, even going to far as to step towards the old lizard.

“Are you that boy’s mom? I don’t see the family resemblance! Are you his doctor? Where’s your stethoscope? There is a thing called medical privacy, and you can bellow and groan and grumble until your killed off by another asteroid from space, but you aren’t going to get the authority to see those medical records. It’s none of your business.”

Warbell started to puff up his chest and regain some of his former grandeur, and he said in a halfway menacing voice, “I am a tyrannosaurus rex. Do you realize—”

“What, you going to swallow me up?” said the nurse. “Go ahead! Then I don’t have to pull the rest of this 12-hour shift! But you aren’t getting those records.”

The nurse’s facial expression softened by a slight margin, though she still stood strong and defiant in front of Warbell.

“Look, I heard what you did today,” she said. “It was very heroic and brave of you. Everybody appreciates it, or at least they should! But don’t go ruining all the good you did by blowing your own horn and making an absolute tyranno-sore-ass out of yourself. Now I have to go, so unless you’re going to bite me in half—and trust me, I will bite you back all the way down your gullet—then I am going to go back to work.”

The nurse raised one questioning eyebrow, but Warbell didn’t say anything, and so she walked casually into the hospital. I let out a long low breath, and the old lizard looked after her helplessly.

“Doctors and nurses are more powerful than kings in this country?” he asked. “The king makes the laws and what he says goes.”

“But the doctor holds your life in his hands,” I said.

“What good is being a king if I can’t…” Warbell broke off and finally looked at me. “Wal, I need your services.”

“For what?” I said. “I can’t get those medical papers either.”

“No, not for that,” said the dinosaur. “I need to get a job, and I require your help in finding one.”

A Tyrannosaurus on my Doorstep, Chapter 16

Once again, by Nicholas Driscoll.

Excellent art by Sam Messerly. You can see more here.

Click here to read from the beginning.

There was some confusion at the hospital in response to our arrival. Some nurses thought that Warbell had injured the kid (his name was Murdock Gargle), and they started calling the police. But as the nurses were in mid-call, the police arrived, having been alerted to shenanigans due to a dinosaur chaotically dashing through the streets. After some chaos in which I found myself defending the dinosaur for once, the police let us off with a warning… not least of all because Warbell had managed to keep Murdock stable and safe in his mouth, his tongue acting as a stabilizing instrument protecting Murdock from injuring himself as the dinosaur bounded through the city.

Warbell couldn’t come into the hospital, and definitely couldn’t hang out in the waiting room, so the old lizard was once again left to stand in the parking lot twiddling his nonexistent thumbs. After some discussion with the doctors and police inside (I got to whip out my official dinosaur ambassador card a few times, which I’ll admit is a bit of a thrill), I walked outside to check on Warb.

“The kid is stable so far,” I said. “Looks like he will be hunky-dory.”

“I don’t know that expression,” Warb said. “So he will be okay?”

“Yeah,” I said. “You really acted fast back there. I barely knew what was happening and I was suddenly in the air, carried away by dinosaur claws.”

“What happened?” Warbell asked, that same intense look in his eyes that I saw in the Six Degrees of Bacon parking lot. “How did the kid get hurt?”

I sighed and scratched an itch on my nonexistent leg, then took a deep breath.

“Well, they can’t really tell me about the details, can they?” I said. “I am not related to the kid.”

Suddenly we heard an ambulance siren blurt to life and keen down the road. We watched it go in silence.

“Looks like today is a bad day,” I said. “Several emergencies.”

“Was he shot?” asked Warb. “By one of your people’s guns?”

“I don’t think so,” I said. “Did you hear a gunshot? I didn’t. Even a silencer makes a sound. I heard nothing. And no sniper is going to shoot a fast-food worker. The stuff he cooks would probably kill him anyway, so there’s not much reason to accelerate the process I suppose.”

Warbell turned his head towards the hospital, that fiery stare burning at the concrete walls as if by squinting hard enough he might be able to see inside.

“Why do you care so much anyway?” I asked. “It’s not like you even know the kid, right?”

Warbell didn’t look at me. I shifted my feet uneasily. A nurse walked by, coming off her smoke break (gosh, why do so many nurses smoke?), and suddenly Warbell stepped in her way, eyes flashing.

“You will tell me what happened to the boy!” Warbell commanded, voice thundering loud enough to set off a car alarm. “You will let me know every detail, for I am your king and you must do what I tell you!”

Read the next chapter.

Kamen Rider Impressions, Part 8: Kamen Rider Hibiki and Kamen Rider Kabuto

Credit–Orend: Range

Kamen Rider Hibiki Episodes 1 and 2 (2005-2006) “The Echoing Oni” and “The Howling Spider”

Wow. Just when I was getting a little familiar with the trend of mechanized heroes from covert operations teams fighting strange invading monsters, Kamen Rider Hibiki throws in a huge spanner in the works nearly as wild as Kamen Rider Amazon—but with much more poise and confidence! What a show! The first episode starts with a straight-up musical number as one of the main characters rides his bike to school, and throughout much of the action of the episode we get ongoing playful instrumental melodies that highlight what is happening on screen in a direct manner ala classic Mickey Mouse and Bugs Bunny cartoons. Plus the Rider mythos is turned on its head, introducing another form of mystical Rider built from Japanese folklore this time (the kanji for the Rider’s name includes the word “oni,” which can be translated as a kind of Japanese ogre), and the fighting style incorporates things like flame breath and taiko drums. And the editing! The use of interstitial calligraphy! The rapid, stylized cuts and traditional instrumentation!

The story goes that Asumu, a cheerful but stressed-out junior high kid going into high school, has a trip with his family to Kagoshima in southern Japan. While there, he encounters a drifter named Hibiki who he sees rescue a child on a ferry, and afterwards they encounter one another again on a hike and are attacked by web-slinging beastly humanoids. As it turns out, the forest-dwelling monster-men are feeding a giant spider the size of a house (a Tsuchigumo, from Japanese folklore, taking the usual spider man gig from these shows), and Asumu nearly gets snarfed before Hibiki can literally beat it down with his drumsticks and flamethrower breath.

The sense of style is off the charts with this entry. Yes, the idea of riding monsters and smashing away on their backs with drumsticks is beyond absurd, but the surreality is part and parcel with the entire ethos of this entry! The action, too, may suffer from fast cutting, but even that decision feels intentional, as part of the rhythm of the editing. I expected to be annoyed by young protagonist Asumu, who has several scenes where he is smiling at the camera and breaking the fourth wall—but he is so likable and upbeat, it’s hard to complain. The series also steps away from the power cards from previous entries, replacing them with discs that transform into miniature attack animals—and I will admit, those look so stupid. But it’s a small stupidity that can be overlooked.

I think, if I am being fair, I stumbled on an episode of this series when I first lived in Japan back in 2005-2007 and I was taken aback by the absurdity of the show. I can see why some fans might take umbrage at such a radical departure from the dark, sci-fi roots. Apparently the show suffers a drastic course correction halfway through that most fans despised, and which caused great controversy in the tokusatsu sphere at the time. Still, I love these first two episodes for being daring and wild and for bearing such a strong artistic vision!

Credit: Kamen Rider Wiki

Kamen Rider Kabuto Episodes 1 and 2 “The Strongest Man” and “The First Two-Step Transformation”

(2006-2007)

While not as stylish as Kamen Rider Hibiki, nor perhaps as inspired as the first episodes of that series appeared, Kabuto still brings more entertaining concepts and tweaks to the formula. The monster system is new, striking a pod-people vibe with invading “worms” that attack and mimic people’s appearance before transforming into bug anthropoids, then molting into a yet more powerful final form (taking on other animal traits apparently), the series also adds another anti-monster organization with a questionable past (ala Blade), this time with a whole army of rider-styled soldiers. The monster plot seems to be triggered by falling meteorites, and thus a plot point aping something like Quatermass 2, but with an added wrinkle in which the monsters possess an ability to “overclock” and move at super speed. One of the highlights of the new series is how the hyper-speed battles are depicted, with new strategies and stylization.

The rider dynamic, though, feels a little tired. Underperforming ZECT agent Arata Kagami gets his treasured chance to become a full-fledged Rider, but has his dreams stolen when mysterious lone-wolf wandering type Soujj Tendo transforms in his stead. Tendo operates with exaggerated poise and overdone cool, but it’s not really funny this time, and Kagami is kind of just lame. The Kabuto Rider suit looks bulky and powerful, though, and I like the addition of guns and multiple transformations. Artistic and sullen Hiyori Kusakabe provides an unusual female foil to the mismatched hero pair.

I am not as enthusiastic about Kabuto as some of the other series because the characters didn’t click with me as much, but I did like how the action is staged, and accidentally reading some spoilers, the series definitely has some surprising twists in the wings. I would be interested in seeing more.

Continue reading.