Creature! vol. 1 manga review–A bloody, horrific giant monster smash-fest

Note that I originally wrote this review for Kaiju and Henshin Manga, a manga Facebook group covering one of my favorite genres. I lightly edited it for publishing here, but the content is almost the same.

Usually giant monsters in Japan tend to be pretty kid-friendly, and while Ultraman has his occasional very bloody moments ripping and cutting kaiju apart, and Gamera might douse the camera with brightly colored blood on occasion, nevertheless the mood is usually kept light and airy without much real fear. Shingo Honda’s manga Creature! changes all that with a heavy dose of gross-out freaky horror and massive, wicked-looking Lovecraftian monstrosities.

The story: Highschooler Akira Takashiro is trying to up his game in basketball and overcome his rival for love interest Miku, who goes to a different school. But just as he gets drafted into playing in the next basketball match, what seems a massive earthquake shakes up the school, and suddenly hideous tentacled monsters are ripping and slicing his classmates to pieces. He manages to escape with the class president in tow, then teams up with a nerd and a punk, but the outside world is no safer than inside, as the city teems with a menagerie of toothy, massive creatures with a thirst for human flesh. Can Akira survive and reunite with his lost love at the station? Will the earth remain under the dominance of humankind? Where did these monsters come from?

We don’t get all the answers in the first volume, but we do get a fast-paced and deliriously gory story. The Japanese title is “Hakaijuu,” which I have heard combines the Japanese word for “monster” with the verb for “to vomit,” so it isn’t surprising that we get a lot of guts and gore—one of the most shocking moments being a scene in which we peek into a giant monster’s mouth to see Akira’s classmates melting in digestive juices. The monster designs themselves are varied and sport endless tentacles, teeth, and eyes in all the wrong places, but for a monster buff like myself, I really enjoyed seeing their insane countenances and abilities, and especially the destruction left in their wake as they preyed upon the kid protagonists and battled each other for supremacy. Character motivations are somewhat basic, which doesn’t mean bad, but still… Akira and his friends sometimes feel like archetypes more than individuals. They still are at least sharply delineated from each other, and I know from reading the first 17 or so volumes that some of them will eventually go through major character arcs, but they aren’t really allowed to piece together much of a personality or backstory before they are up and running away from the monsters.

A note on the translation, since I have read both the original Japanese and the English version of the first volume: The dialogue can be a bit wooden in the English sometimes, but it wasn’t enough to detract so much from my enjoyment. Also, I was disappointed that the English version didn’t include Shingo’s little notes to readers that appear at the beginning of each volume. He talks in one of them about how disappointed his father was that he was doing THAT kind of manga!

For me, despite some flaws, the sometimes pedestrian plot is enough of a justification for mad monster mayhem, at least for starters, and Honda’s artwork is fantastically detailed. When the big monsters appear, too. the creatures an impressive sense of scale and sheer awesomeness. While the first book kind of feels like a zombie apocalypse with the zombies replaced by toothy giant monsters, nevertheless I think the story fills an important niche in giant monster fiction that had gone relatively untouched before Attack on Titan came along—and Creature! is much more extreme in violence compared to its hairy younger monster sibling. If you have the tolerance for the blood and gore, Honda’s manga is stupid entertainment worthy at least of a nibble and a bite.

Monster Tamer Girls Volume 1–review

Originally written in 2021 for the Facebook group, Kaiju and Henshin Manga. I lightly revised a few things for this reprint, but the text is mostly the same.

Monster Tamer Girls vol. 1

In 2021 young actress Kaylee Hottie charmed many viewers with her depiction of Jia, a deaf Iwi girl from Skull Island who could communicate with King Kong via sign language. The character of Jia takes a longstanding kaiju trope—the woman who connects/communicates/saves the monster—and adds a slightly new twist. Usually the female who connects with the monster is older, and may even be a romantic interest to the beast (the original Ann Darrow from King Kong (1933) being an obvious reference), but Jia is neither of those; she is more like a tiny friend to our favorite giant ape. However, whatever the role, women have been communicating with, befriending, tempting, and controlling giant monsters from the start of mega-monster fiction—whether as priestesses, twin fairies, jungle women, or just naïve ladies in the wrong place at the wrong time.

This trope was made the center of a two-volume manga series back in 2014-2016, released in English in 2018 via Yen Press, and written plus illustrated by Mujirushi Shimazaki (that HAS to be a pen name—“mujirushi” just means “off-brand”). She took the classic girls-and-monsters bit and made it into a tale of cute girls doing cute things with giant monsters with Monster Tamer Girls—and it’s a lot of fun.

The story goes that in 1999 giant monsters appeared around the world, and, while destructive at first, people soon discovered that the giant beasts were not inherently violent and could be tamed via the singing voices of prepubescent girls (who knows why). Thus schools were opened up specifically for training young women in the ways of kaiju calming and handling, and Monster Tamer Girls follows Ion Hidaka and Sora Misumaru as they start out their monster schooling careers. When they arrive, they are given the task of looking after the local grumpy giant monster in the woods to break them in as kaiju freshies. This monster is notorious for being recalcitrant and tough to handle, but it takes a shine to shy Hidaka, who shows great talent in connecting with monsters through her powerful voice. Thus the adventures begin, as various strange beings continually emerge into the tale and cause trouble, and friendships between both monster and human form as a consequence.

The girls are a big focus, with their foibles and charms, each new recruit trying to fit in, struggling to figure out their place, how to connect with monsters, and dealing with their dreams. The girls are treated with a light touch—they have problems and faults, but they aren’t tragic and dark characters, and their lives seem a bit like marshmallow pudding: saccharine and sweet and light, perfect if you’re in the mood, bad for those who dislike the fluff. The monsters are cute, too, and have their own issues—often relational—that the girls must confront and help solve.

For me, I really enjoyed the airy, amusing misadventures of Hidaka and Misumaru. They are far-removed from the punched-up action and explosions in most monster-fare, and folks with a taste for the silly and calm storytelling of something like Flying Witch will probably find something to enjoy here.

The art is clean and easy to follow, and the girls are not sexualized (beyond short skirts). They are charming, if a bit empty, but since the girls are drawn in a similar fashion without many distinguishing features, sometimes I found myself getting confused as to who was who. Monsters, meanwhile, are illustrated in the same low-detail, high-adorability frame. The designs are not that memorable, and come across as fairly generic, but they suit the purpose of pushing the story forward.

I would totally recommend this series for kaiju fans looking for something fun that takes a familiar trope and twists it in a new and fun way. References to the greater kaiju fandom can also be found, and it’s just nice to relax with an undemanding piece of entertainment that makes you smile—especially in these stressful times.

Three stars